Quite aside from being a talented and prolific actor, Ian Mune has made behind the scenes contributions to many New Zealand screen landmarks. Mune's writing career ranges from some of New Zealand's earliest television series to Goodbye Pork Pie. His work as director includes classics Came a Hot Friday and The End of the Golden Weather, and the hit sequel to Once Were Warriors.
Jono Smith was 14 when he won the starring role as teenager Ned Poindexter in 50s-era coming of age classic The Scarecrow. After leaving school, Smith joined TVNZ and became a camera assistant. Since relocating to England in 1993 he has shot a raft of television projects, short films, and four features. In 2010 he co-produced acclaimed movie Sus.
Michael Haigh gave up teaching to become a professional actor. A founding member of Wellington’s Circa Theatre, his TV legacy is the gruff office worker Jim in Roger Hall’s Gliding On — one of NZ television’s great comic characters and a role that won him a Feltex Award. He played Jim for five years and appeared in a number of other TV series and films (almost inevitably playing a policeman). Michael Haigh died in 1993.
The trio of documentaries surrounding the religious community of Gloriavale generated huge TV ratings. Amanda Evans is the director and producer behind this mini-TV phenomenon. In her 30 year career she has produced and/ or directed documentaries, reality series and iconic Kiwi kids and arts shows.
Although he may not be keen to do so, Bill Toepfer can claim a place in global television history as the man behind the Popstars reality TV juggernaut. Toepfer has enjoyed a long and accomplished career in New Zealand television, editing and producing hundreds of hours of documentaries and TV specials.
Multi award-winning editor Bryan Shaw has helped forge documentaries about strikes, artists and the sinking of the Wahine. In recent years he has added drama work to his CV, including episodes of Outrageous Fortune, Westside, The Almighty Johnsons and feature comedy The Devil Dared Me To.
Keith Aberdein is probably best known for playing the small-town policeman who arouses Bruno Lawrence's ire, in Kiwi screen classic Smash Palace. But his screen work covers almost every angle: from covering the Wahine disaster as a reporter, to directing, to writing scripts for some of the most ambitious television dramas of the 1970s.
Ivars Berzins fell in love with photography aged eight, en route to TV assignments across NZ, in Norwegian fjords, and in East Timor. Berzins was chief cameraman in TVNZ's Wellington office before leaving in 1996 to start company Pacific Crews (now Pacific Screen), which he went on to run with his wife, producer Amanda Evans. These days he directs as well as films, including on documentary series New Zealand Stories.
Though most of his films have been documentaries, Florian Habicht's work has often blurred the boundaries between truth and fiction. His CV includes offbeat fairytale Woodenhead, two love letters to New Zealand's far north (Kaikohe Demolition, Land of the Long White Cloud), portraits of Kiwi theatre legend Warwick Broadhead and British band Pulp, and his award-winning, genre-stretching Love Story.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.