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Series

It's in the Bag

Television, 1973–1992

Roving quiz show It’s in the Bag got its first screen incarnation in 1973, after Selwyn Toogood campaigned to bring his popular radio series to television. Competitors answered three questions before picking a bag, hoping it contained treasure. Several of Toogood's catchphrases won enduring fame, including "by hokey!” and ”what’ll it be customers, the money or the bag?”. His co-hosts included Heather Eggleton and Tineke Bouchier. After Toogood retired in 1986, John Hawkesby took over, then Nick Tansley. Māori Television relaunched the show in 2009 (also viewable on NZ On Screen).

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Dig This - 1979 Episode

Television, 1979 (Full Length Episode)

Beloved host Eion Scarrow dispensed down to earth advice for home gardeners in this long-running gardening series - NZ telly’s first national gardening show. In this episode he guides viewers on how to shift an established tree (a 6-8 week process) before moving on to what to plant at this time of the year (March). The viewers’ letters (“not lettuce”) segment tackles questions about rootstock in grafting rhododendrons, preventing onions and gum trees from rotting, pitfalls in establishing a blueberry crop, and dealing with a plant with (sci-fi) runaway roots.

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Series

Open House

Television, 1986–1987

This 38 episode series revolved around the ups and downs of a community house run by Tony Van Der Berg (Frank Whitten). The series was devised by Liddy Holloway to meet a network call for an Eastenders-style drama that might tackle social issue storylines. It was the first drama series to put a Māori whānau (the Mitchells) at its centre. Despite being well-reviewed, it was perhaps the last gasp of Avalon-produced uncompromisingly local drama (satirised as the ‘Wellington style’), before TV production largely shifted to Auckland to face up to commercial pressures.

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The Big Art Trip - Series One, Episode Eight

Television, 2001 (Full Length Episode)

Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.

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Newsview - Shona Laing profile

Television, 1973 (Excerpts)

This NZBC profile finds singer/songwriter Shona Laing as a 17-year-old in the seventh form (now year 13) at Hutt Valley High, distracted from study by an impending music career. Laing had shot to national prominence with her performances on the Studio One talent show, had a hit with her Henry Fonda-inspired single '1905' and supported American singer Lobo. She is already a guarded interviewee while her school mates are unsure what to make of her success. Lobo is effusive in his praise and there are performances of '1905' and Roberta Flack's 'Killing Me Softly'.  

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Ready to Roll - Nice One Stu excerpts

Television, 1975 (Excerpts)

After-school show Nice One was a popular classic of NZ childrens television, with the show's signature theme tune ("Nice one Stu-y!") and Stu's thumbs-up salute, totemic for kids of the 70s. Host Stu Dennison played a cheeky, long-haired schoolboy who delighted children and infuriated adults with his irreverent antics. But Dennison developed the persona in short live segments for Ready to Roll (shot live at Avalon Studios, excerpted here). Prototype Stu is seen being a truant, reciting rude poetry, singing 10cc and ribbing Roger Gascoigne and 70s metrosexuals. 

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L&P Top Town - 1986 Final

Television, 1986 (Full Length)

This long-running travelling TV game show pitted towns against each other in a series of colourful physical challenges. The 1986 final takes place at Lower Hutt’s Fraser Park, where teams from Alexandra, Timaru, Whangarei (including future All Black Ian Jones) and Waihi compete for civic bragging rights. Hosted by Bill McCarthy and Paddy O’Donnell, with officials Melissa (Miss Top Town) and champion Olympic kayaker Ian Ferguson. A Taniwha, cross-dressing cheer squads, a Para Pool, and slippery slope, all make for much light entertainment malarkey.

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Series

Country GP

Television, 1984–1985

Country GP was a major 80s drama series that charted the post-war years 1945 to 1950 in a rural central South Island town. Using fast-turnaround techniques that anticipated later series like Shortland Street, 66 episodes of Country GP were shot in 18 months at a specially built set in Whiteman’s Valley, Lower Hutt. It was groundbreaking as the first NZ series to cast a Samoan in a title role (Lani Tupu as Dr David Miller); but it also provided a nostalgic look back to an apparently kinder, gentler time than mid-80s New Zealand with its major social reforms and upheavals.

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The Gravy - Series Two, Episode Two

Television, 2007 (Full Length Episode)

In this episode of Sticky Pictures' award-winning arts series, presenter Ross Liew turns the camera on his own craft as commercial illustrator / covert street artist, working alongside his partner Hayley King aka Flox. We then travel to the outer reaches of cyberspace (in reality, Lower Hutt) where Disasteradio explains his synth-pop formula of "cool beats, sweet riffs and awesome oxide". Lastly, it's the comic art of Robyn Kenealy, who constructs bizarre psychodramas involving her celebrity idols — namely Roddy McDowell and 90s heartthrob Jonathan Brandis.

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Māori Arts & Culture No. 1 - Carving & Decoration

Television, 1962 (Full Length)

This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.