This short Auckland-shot interview for arts show The Edge screened as Holly Hunter was appearing in two Oscar-nominated roles: The Piano and The Firm. Hunter discusses playing a hitman-hiring housewife, and joining Tom Cruise in The Firm. Weighing up past roles, she cherishes Raising Arizona and Broadcast News, but feels that The Piano is “the most original story that I've been involved in”, and Jane Campion is “one of the great directors.” In March 1994 Hunter would win an Oscar for Best Actress (alongside Piano Oscars for co-star Anna Paquin, and for Campion's screenplay).
Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.
Under the Covers was a spin-off series from TVNZ 7 book series The Good Word, compiling Finlay Macdonald’s 10 minute pieces on great Kiwi books into their own show. Each episode features three books and tells the story behind them via interviews, readings and archive footage. This episode featured Barry Crump’s A Good Keen Man, David Lange’s My Life, and — in this excerpt — Jane Mander’s The Story of a New Zealand River, the 1917 novel that some say was an uncredited inspiration for Jane Campion's The Piano. Sam Hunt provides a spirited defence of Mander's book.
This 1993 interview from the first series of arts show The Edge screened while The Piano was in Kiwi cinemas. Earlier that year Jane Campion had become the first (and only) female director to share the top award at the Cannes Film Festival. Here, she discusses the antipodean character of her next project ( The Portrait of a Lady) and the satisfaction of offering Nicole Kidman a role that isn’t “like a handbag to one of the male stars”. She also muses on working in Hollywood versus her hometown Sydney, and the influence of a New Zealand upbringing on forming her imagination.
No television special would be complete without a bloopers reel. 1985 marked the 25th anniversary of television in New Zealand, and one of the events celebrating it was a variety show at the Michael Fowler Centre. In this short excerpt, host Roger Gascoigne introduces a montage of humorous TV moments from across the years, some planned and others probably not — from turkeys in gumboots, Bill McCarthy’s exploding piano, and Relda Familton being judo-flipped, to Tom Bradley losing his script, and presenter Peter Sinclair disappearing in dry ice at the 1983 Feltex Awards.
This single from Supergroove’s second album Backspacer (1996) reached number seven in the charts, and captures the band's shift from funk to rock after the exit of rapper Che Fu and trumpeter Tim Stewart. The lyrics ask "who would you kill?". Via madcap music video logic, they’re channeled into a fictional TV show, an exercise equipment promo, a pigsty, ice-skating rink, and a burning piano on a beach. The results won Best Video at New Zealand's local music award ceremony in 1997. Bassist Joe Lonie and cinematographer Sigi Spath had won it the previous year, for 'You Gotta Know'.
"Jazz is an attitude ... how you look at yourself, how you look at the world." So argues the subject of this rich and moody Work of Art documentary: jazz pianist Mike Nock. The Ngaruawahia-raised muso first went on the road in his teens, and by 18 had left New Zealand for a long career in Sydney, London and New York City. Director Geoffrey Cawthorn and his film crew travel with Nock in small-town New Zealand and big city NY, capturing memories of childhood, touring and inspiration. Also included: some beautifully-lit performances by Nock and his cohorts.
Icon in B Minor: a musical odyssey is the tale of two creative souls from different centuries with the same belief in spiritual transformation through their art. World-renowned New Zealand concert pianist Michael Houstoun is filmed on his pilgrimage to Germany, where composer Franz Liszt spent his last years. Houstoun is preparing for his performance of Liszt's monumental work, Sonata in B Minor. Produced and directed by Tainui Stephens, Icon in B Minor screened as part of the Work of Art series.
This magazine newsreel mixes buried treasure with a classic Brian Brake-shot performance piece. Opener 'The Long Poi' captures a poi dance. In 'The Buried Village' tourists examine fireballs and Māori stone carvings buried in the 1886 Tarawera eruption. The final piece showcases the talents of Kiwi pianist Richard Farrell and director Brian Brake. Brake's moody studio lighting and lively compositions frame this performance of a Chopin waltz. Farrell would die after a car accident in the United Kingdom in 1958 — the same month Brake won his first big spread in Life magazine.
In this Christmas special from the long-running disability interests show, the team don festive costumes. Reporter Grant Sharman takes some of the young stars out for a tea party, Curtis Palmer presents his third postcard from Turkey, Northland blind student Aine sings a carol, and we attend the opening of the Mouth and Foot Painters Association exhibition in Christchurch. Meanwhile junior reporter Anthony Jellyman takes us on a tour of the Attitude set with his own camera in hand, and introduces some of the cast and crew.