New Tattoo

Hello Sailor, Music Video, 1994

“I’m as blue as a new tattoo...since I lost you” sings Graham Brazier on this first single from Hello Sailor’s 1994 comeback The Album. Loss is leavened by the harmonica and guitar of the band’s energetic brand of pub rock. In the black and white music video they cruise around in a Chevrolet, intercut with Auckland street scenes and a young woman in a leather bustier walking her dog. ‘New Tattoo’ peaked at five in October 1994, the band's highest chart placing. In a 2013 AudioCulture profile, Murray Cammick rated it "a strong addition" to the Hello Sailor canon.

Gutter Black

Hello Sailor, Music Video, 1977

Hello Sailor perform the classic single from their debut album, for TVNZ's cameras. 'Gutter Black' features what composer Dave McArtney called the band’s trademark “whiteman’s attempt to play that ska rocksteady beat” — plus the distinctive sound of amped-up drums and handclaps. 'The song was originally titled 'Sickness Benefit', with lyrics mentioning “dole bludgers living in Ponsonby” —  as revealed on a 1996 greatest hits compilation. Reconstituted as 'Gutter Black', the song took on a new lease of life as the opening theme for TV's Outrageous Fortune

Never Fade Away

Hello Sailor, Music Video, 1994

This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.

Lyin' in the Sand

Hello Sailor, Music Video, 1978

'Lyin' in the Sand' closed Hello Sailor's self-titled debut album in 1977, the song's languid South Seas vibe providing respite after 'Gutter Black' and various guitars. Inspired by a spontaneous South Pacific parody from vocalist Graham Brazier one night, it was written by guitarist Harry Lyon after observing how Takapuna's smart set took their beach for granted. TVNZ filmed the band playing live in a Christchurch studio in 1978, just before the band set off to try to make it in LA. Lyon sings, so Brazier is absent; drummer Ricky Ball's hula confirms that the band’s tongue was in its chic.

Captain's Log - First Episode

Television, 2001 (Full Length Episode)

In late 1769 Captain James Cook first reached New Zealand, charged with charting the area. Peter Elliott chronicles Cook's journey in this award-winning four-part series. This first episode looks at his first encounters with local Māori, on the east coast of the North Island. While some greeted Cook with pōwhiri, others took exception to the murder and kidnapping the Europeans brought in spite of their declarations of peace. Amongst the locals Elliott meets on the coast is a young sailor in Tauranga who bears a striking resemblance to America’s Cup winning sailor Peter Burling.

Live at Mainstreet - The Legionnaires

Television, 1983 (Full Length Episode)

As soon as the guitar line of 'Blue Lady' sparks up, the sea of perms, sweaty denim and cigarettes starts jumping. The Legionnaires (Hello Sailor reincarnated) were one of several top Kiwi bands to record live Radio With Pictures specials at Auckland's Mainstreet Cabaret during the 1980s. Their eight-strong set list contains bonafide hits like 'Blue Lady' and Graham Brazier's ode to his Liverpudlian roots, 'Billy Bold'. Another highlight is a moody rendition of 'Remember The Alamo' from guitarist and singer Dave McArtney's Pink Flamingos' catalogue. 

Skin Pics

Television, 1980 (Full Length)

A bold reveal of a rose tattoo opens this 1980 documentary on contemporary Kiwi tattooing. Then, a potted history of the practice punctuates visits to parlours on K Road and Hastings, plus the studios of industry legends Steve Johnson and Roger Ingerton. Interviews with tattooists and their canvases roam from stigma, the perils of permanence, and motivations for inking; to design tropes (sailors, serpents, swallows) and tā moko. Commissioned by TVNZ for the Contact documentary slot, the Geoff Steven film chronicles a time when “folk art has become high art.” 

Rocked the Nation - No 46: Rock N' Roll Ponsonby

Television, 2008 (Excerpts)

This popular C4 series counted down 100 moments in New Zealand music history, scouring the archives en route to number one. Taken from episode three, this musical moment covers the time bands Hello Sailor and Dragon shared digs. Musos Graham Brazier and Todd Hunter, alongside music writer John Dix (Stranded in Paradise), provide the goss on the early 70s 'Ponsonby Rock' scene revolving around Mandrax Mansion — where members of the bands lived, played and partied hard. Brazier quotes lyrics from an unrecorded song about the then working class suburb.

Radio with Pictures - Neon Picnic

Television, 1988 (Excerpts)

Richard Driver files this 1988 Radio with Pictures report from a Waitemata Stadium concert cobbled together after the failure of music festival Neon Picnic. He interviews The Chills, Graham Brazier and Live Aid legend Bob Geldof. Geldof, along with Tim Shadbolt and Phil Warren, had come to the aid of music fans by organising the consolation gig at the last minute. Geldof rates Neon Picnic’s demise as an international embarrassment. But he praises the local music community for rallying behind the replacement gig, and admits he enjoyed the rush of helping organise it.

Heartland - Lyttelton

Television, 1996 (Full Length Episode)

In this full-length Heartland episode, Gary McCormick heads south to the port town of Lyttelton, where some say you can't claim to be local unless you've been in town all your life. There he looks around a freighter and finds time to talk to a smorgasboard of passionate locals, some of whom wish yuppies from Christchurch would stay home. He visits ex-Seaman's Union President Bill 'Pincher' Martin, who recalls the tense days of the 1951 lockout. Meanwhile cameraman Matt Bowkett captures some evocative footage from the surrounding hills, and among the action of a busy port.