Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.
Hello Sailor perform the classic single from their debut album, for TVNZ's cameras. 'Gutter Black' features what composer Dave McArtney called the band’s trademark “whiteman’s attempt to play that ska rocksteady beat” — plus the distinctive sound of amped-up drums and handclaps. 'The song was originally titled 'Sickness Benefit', with lyrics mentioning “dole bludgers living in Ponsonby” — as revealed on a 1996 greatest hits compilation. Reconstituted as 'Gutter Black', the song took on a new lease of life as the opening theme for TV's Outrageous Fortune.
This performance by Hello Sailor was recorded by TVNZ in Christchurch, at the Civic Theatre in Manchester Street. Singer Graham Brazier (who passed away in September 2015) is said to have written the classic song about love, destruction and hurt in 15 minutes. It was a last minute addition to the band’s debut album (and their second Top 20 single of 1977, reaching number 13). 'Blue Lady' was later considered as a possible theme song for an Australian police show. It would have been a strange choice: this Blue Lady came from the wrong side of the tracks. It was junkie slang for a hypodermic syringe.
This popular C4 series counted down 100 moments in New Zealand music history, scouring the archives en route to number one. Taken from episode three, this musical moment covers the time bands Hello Sailor and Dragon shared digs. Musos Graham Brazier and Todd Hunter, alongside music writer John Dix (Stranded in Paradise), provide the goss on the early 70s 'Ponsonby Rock' scene revolving around Mandrax Mansion — where members of the bands lived, played and partied hard. Brazier quotes lyrics from an unrecorded song about the then working class suburb.
'Lyin' in the Sand' closed Hello Sailor's self-titled debut album in 1977, the song's languid South Seas vibe providing respite after 'Gutter Black' and various guitars. Inspired by a spontaneous South Pacific parody from vocalist Graham Brazier one night, it was written by guitarist Harry Lyon after observing how Takapuna's smart set took their beach for granted. TVNZ filmed the band playing live in a Christchurch studio in 1978, just before the band set off to try to make it in LA. Lyon sings, so Brazier is absent; drummer Ricky Ball's hula confirms that the band’s tongue was in its chic.
“I’m as blue as a new tattoo...since I lost you” sings Graham Brazier on this first single from Hello Sailor’s 1994 comeback The Album. Loss is leavened by the harmonica and guitar of the band’s energetic brand of pub rock. In the black and white music video they cruise around in a Chevrolet, intercut with Auckland street scenes and a young woman in a leather bustier walking her dog. ‘New Tattoo’ peaked at five in October 1994, the band's highest chart placing. In a 2013 AudioCulture profile, Murray Cammick rated it "a strong addition" to the Hello Sailor canon.
This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.
Director Grahame McLean uses the notorious (then recent) 'Mr Asia' drug smuggling saga as fodder for this Wellington underbelly tale. Hello Sailor’s Harry Lyon headlines as a musician and ex-con who partners with a beautiful journo to investigate a global drug syndicate, in between nightclub sessions with fellow musos Beaver and Hammond Gamble. High on 80s guitar licks, Should I be Good? was made in the tax break era without Film Commission investment. McLean followed it right away with The Lie of the Land, becoming a rare Kiwi to make two movies back to back.
As soon as the guitar line of 'Blue Lady' sparks up, the sea of perms, sweaty denim and cigarettes starts jumping. The Legionnaires (Hello Sailor reincarnated) were one of several top Kiwi bands to record live Radio With Pictures specials at Auckland's Mainstreet Cabaret during the 1980s. Their eight-strong set list contains bonafide hits like 'Blue Lady' and Graham Brazier's ode to his Liverpudlian roots, 'Billy Bold'. Another highlight is a moody rendition of 'Remember The Alamo' from guitarist and singer Dave McArtney's Pink Flamingos' catalogue.
Probably Graham Brazier's best-known track as a solo artist, 'Billy Bold' didn’t garner much radio play when released in 1981, but would go on to become a staple of Hello Sailor live sets. First appearing on Graham Brazier’s debut solo album Inside Out, the ballad is based on the infamous 1981 riots in Toxteth, Liverpool. The song came to Brazier in a dream; he was drawn to the topic because his working class father came from Liverpool.
This first episode of NZ's most popular and critically acclaimed drama series revolves around Wolf West being sentenced to four years in prison — and his wife, Cheryl, deciding it's time for her and her children to get out of the "family business". Wolf and the local police are dubious. But even this early in proceedings, it would be foolish to underestimate Cheryl. Whether she can take her daughters (ditzy wannabe-model Pascalle and the cunning Loretta) and sons (yin and yang twins Van and Jethro) with her is another matter altogether. And so begins a dynasty.
Coup D'Etat were a short-lived band featuring Harry Lyon (during a Hello Sailor sabbatical) and Jan Preston (from travelling theatre act Red Mole). The band's second single is an ode to "the dangers of having too much fun". The bright, breezy number was written by Lyon, with the familiar Ponsonby reggae beat favoured by Hello Sailor. Peaking at nine on the charts, it won Best Single at the 1981 NZ Music Awards. The pedestrians in Leon Narbey’s video are near Auckland's Civic Theatre on Queen Street. In the same period, Narbey shot the short film of the same name.
The NZ Music Awards ceremony now fills Auckland’s Vector Arena and is a major social and music industry event. In 1978 the awards were broadcast in this 16 September Ready to Roll special, cobbling together finalists at Avalon Studios. Stu (Nice One) Dennison is the host (in brown overalls); and there are performances from John Rowles, newcomer Sharon O’Neill, the Rodger Fox Big Band, Hello Sailor, Toni Williams and Golden Harvest (who feature teeth-picking lead guitar in best Hendrix style). Just two awards are covered here: for single and album of the year.
Chosen as the theme tune of Outrageous Fortune spinoff Westside roughly four decades after it was first performed, this guitar and sax-driven rocker appeared on the first album by the legendary, on again off again Hello Sailor. Taken from music show Ready to Roll, this performance sees Brazier and band talking tough in leather about danger on the streets, and "nights like a razor blade". Harry Lyon snarls over his red guitar, Graham Brazier plays a saxophone with a price tag on it, and Dave McArtney adopts classic bored rocker pose.
A prequel to classic TV3 series Outrageous Fortune, Westside travels back in time to meet young Rita (Antonia Prebble), Ted (David de Lautour) and their son Wolf West, on the make in West Auckland. This first episode opens with Ted leaving Mt Eden prison, then sets him on a safe-cracking plot that is aided by the 1974 Commonwealth Games. Prebble played Loretta West in Outrageous, and first took on the role of Rita in flashbacks from season four. Devised by Outrageous creators James Griffin and Rachel Lang, Westside won acclaim: "all the hallmarks of a classic", said Stuff.
After four years as part of Hello Sailor, guitarist Dave McArtney stepped out with his own band The Pink Flamingos — and found himself very much the centre of attention in this video made by TVNZ for the Flamingos' debut single. With only his guitar for support, he roams the streets of downtown Wellington stalking the object of his desire, who remains largely impassive despite his protestations — and all but obscured in a haze of cigarette smoke. Locations include an empty Cuba Mall (beside the bucket fountain) and Plimmer Steps. McArtney died in April 2013.
This documentary follows a Southern Alps ski competition for local and off season northern skiers. Organised by Coast to Coast impresario Robin Judkins, the ‘grand slam’ series begins with a chopper ride to Black Peak for powder 8 and telemark skiing; and then it's above Lake Wanaka for slalom, ski jumping, and a grunty "air, style and speed" mogul. Après-ski competing there's a springtime descent down Mt Taranaki. It wouldn't be Kiwi skiing without kea, and the discipline of the inner tube. The crisp sax and synth 80s score is by Hello Sailor's Dave McArtney.
Gary McCormick heads west to Raglan, to ask "What goes on here? Why do people live here? What do they do?". To find out he goes surfing on the famous left-hand point break, hangs with hippies and Dave McArtney, catches Midge Marsden and the Mudsharks at the Harbour View Hotel, and discusses land rights with kaumatua Sam Kereopa. The recipe — McCormick as genial small town anthropologist discovering the locals — earned this a 1989 LIFTA award, and inspired long-running series Heartland. McArtney composed the soundtrack; Finola Dwyer (An Education) produces.
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).