Collection

Turning Up the Volume

Curated by NZ On Screen team

Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen. 

Collection

Better Safe than Sorry

Curated by NZ On Screen team

Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.

Pictorial Parade No. 36

Short Film, 1955 (Full Length)

A beautiful Wellington day greets passengers from the Southern Cross at the start of this 1950s magazine film. Seen here on her maiden voyage around the world, the cruise ship Southern Cross was built to carry immigrants from Europe. Meanwhile, students at what was then New Zealand's only fully residential teachers' college (near Auckland) are seen studying, before taking time off for dancing and sport. A trip to New Caledonia rounds up the report with the unveiling the Cross of Sacrifice, a memorial to the 449 Kiwis who died without a grave in the South Pacific during WWII. 

Heavenly Creatures

Film, 1994 (Trailer)

The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.

A List of Names

Short Film, 1952 (Full Length)

Using spectral tactics to generate road safety awareness this film carries on from where The Elysian Bus left off, emphasising that the loss of the 300 Kiwis who are likely to die on the roads in the coming year will be more than statistical. A Christmas Carol-style future projection shows gifts being handed out from under the tree, but Mary is not there to receive hers as she was on "the list of names". Actual crash footage drives home the grim message with more solemnity than Ghost Chips. One of the names under the reaper's skeletal finger is spookily 'Peter Jackson'.

Pedestrians or Jaywalkers?

Short Film, 1952 (Full Length)

This NFU public safety film takes a jaunty approach to a serious subject as it shows road crossing dangers via bad examples. Mis-steps include walking off the footpath carelessly, crossing the road at oblique angles, 'dithering', and over-confidence. The humour may be physical and the narration pun-filled, but the lessons remain relevant, as pedestrian accidents on Wellington's and Auckland's 21st Century city bus lanes attest. Despite the big question promise of the title there is no Socratic dialogue about crossing the road or any consideration of chickens.

Monkey Tale

Short Film, 1952 (Full Length)

In the anthropomorphic (and non-PC) tradition of the chimpanzee tea party and PG Tips ads comes this contribution from the National Film Unit. Here chimpanzees provide safe cycling lessons for children. Chaplin-esque scenes ensue as Charlie the Chimp disregards road-rules: "if that young monkey gets to school in one piece he'll be lucky ... he'll get killed sure as eggs". Directed by pioneering woman filmmaker Kathleen O'Brien — who got the idea after seeing them in a visiting variety act — the film contrasts vividly with the brutality of contemporary road safety promos.

A Friendly Career

Short Film, 1953 (Full Length)

A Friendly Career (or The Story of the Training and Life of the New Zealand School Dental Nurse) was a promotional film made by the National Film Unit for the Department of Health. The plot waltzes through the idyll of one doe-eyed careerist's sugar-coated journey to a respectable job in the 'murder house', caring for the teeth of the Dominion's children. Focusing on the hard work and 50s fun times of hostel life, with its friendships, matrons, tooth-pulling and en masse doing-of-the-hokey pokey, the end of this careerist road is pitched as one of great satisfaction.

Pictorial Parade No. 52 - Up to Scratch

Short Film, 1956 (Excerpts)

This item from the long-running National Film Unit series tails cats and feline lovers. The humorous clip from 1956 begins in a woman's bedroom at 6am; the devoted cat owner preens herself and her Siamese cat, in preparation for the Auckland Champion Cat Show. Felines are examined at Auckland's Town Hall for diseases, since "an outbreak of ringworm would be a cat-astrophe"; and a judge dressed in her Sunday best checks over animals before kitty lovers are let into the hall. The Pictorial Parade series began in 1952. In its early years, each Parade consisted of multiple items. 

Country GP - Tim's Commie Dad

Television, 1984 (Full Length Episode)

The Country GP (Lani Tupu) takes a back seat in an episode set in the first week of 1950, which centres around the arrival in Mason’s Valley of the parents of local teacher Tim Bryant (Duncan Smith). The discovery that Tim’s father Sid (played by Vigil scriptwriter Graeme Tetley) is a unionist and paid up member of the Communist Party shatters the township’s apparently relaxed way of life. Sid has come to warn his son of difficult times ahead that could see him back in prison, but his presence inflames some of the locals and leads to a questioning of the true meaning of freedom.