There are around 3000 homes in New Zealand that open their doors to strangers as 'homestay' accommodation. This documentary meets some of the people running homestays, as they show 'the real New Zealand' to their visitors, who are often from other countries. This excerpt features Stella and Colin Lovering, who are operating a homestay in Seatoun, Wellington. Jim Mora narrates.
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
Playwright Roger Hall visits Uganda in Africa for this Intrepid Journey. He finds the going tough at times, particularly some rough accommodation and worries about malaria, but delights that he got to see lions and gorillas in their natural habitat, and is moved by the efforts of the Ugandan people to triumph over their "hideous recent history". This excerpt sees Hall white water rafting on the Nile, and getting a memorable warning speech about one of the rapids by a guide. He "loses his Nile virginity" after getting tipped out, and ending up under the raft for a few scary seconds.
Heartland host Gary McCormick discovers the scenic and rustic charms of Glenorchy, near Queenstown. McCormick meets Rosie Grant, who has lived in the same cottage since 1916, and shares her home with 17 cats; checks out Paradise House, the first guest accommodation in the area, now owned by Dave Miller; and plans to have a day at the races. But the film crew's plans go awry when the settlement suffers serious flooding, and stories of sand-bagging, stock rescue and property recovery replace the more typical Heartland fare.
Made for television in the late 60s, this documentary pursues four young Māori — Ripeka, Moana, Grace and Phillip — as they transition from school, whānau and rural life to live in the city. The film follows them as they arrive in Wellington and attend a pre-employment course run by The Department of Māori Affairs, which offers accommodation and advice on employment options. Director Arthur Everard later became NZ's Chief Film Censor. A 1991 sequel To Live in the City 24 Years On, travelled across three countries to pick up on the lives of the four, now middle aged.
Hugh Sundae travels to the world's second-largest landlocked country: Mongolia. Normally unenthusiastic about travel or partaking in foods doused in yak butter, Sundae discovers that the presence of a camera adds courage to his journey. The courage proves helpful while sharing accommodation and food in a series of gers (also known as yurts) — portable houses used by the nomads of Central Asia. Sundae's trip includes camels, wrestling, Mongolian throat singing — plus trying to survive a meal made from sour milk and curd, without causing offense.
This short documentary observes a day in the life of Auckland’s David Lange Care Home. Near wordless, the impressionistic film tracks the residents, workers, sounds and rhythms of a world many New Zealanders inhabit: aged care accommodation. Directors Nick Mayow and French-born Prisca Bouchet met while working as editors; both have grandparents in rest homes. Today follows on from their award-winning doco Le Taxidermiste. Chosen for the London Short Film Festival, Today was made as part of Loading Docs, a series of shorts created for online screening.
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.
'Don't Forget Your Roots' was released in July 2011 as the second single from Six60's self-titled debut album. The laid back meditation on family reached number two on the singles chart. The video, directed by Robin Walters, is set around the student accommodation area of north Dunedin, where the band members met while three of them were studying at Otago University. Some of the city's most notorious flats are featured, including 660 Castle Street where three of the band members lived, and the group first rehearsed.