This 1972 NFU documentary looks at the care of children born with physical disabilities. Aimed at families with ‘crippled’ children, the film was directed by Frank Chilton for the Crippled Children Society (now CCS Disability Action). Parents, doctors, teachers and field officers are shown engaging with children and young adults at home and in the community, from spring-loaded splints for spina bifida patients to Māori stick games as therapy for cerebral palsy. It is introduced by Mrs New Zealand 1970, Alison Henry (whose son was born with a congenital foot defect).
Breakfast first aired in August 1997 on TV One. Screening five mornings a week over a three hour time slot, the programme mixes news and entertainment interviews with updates of news, sport and weather. The format of one male and one female presenter began with original hosts Mike Hosking and Susan Wood, and has included Pippa Wetzell and Paul Henry (who won controversy for Breakfast comments about an Indian politician), and Brit Rawdon Christie and Alison Pugh. A Saturday version of Breakfast was trialled in 2011, but abandoned the next year.
Alison Mau has been a regular on New Zealand television for over 20 years, including time on Newsnight, Breakfast, and at the launch of TVNZ’s primetime show Seven Sharp.
Aussie import Alison Mau has been a regular on New Zealand television for more than 20 years, across news, current affairs, and lifestyle programmes. After first crossing the ditch she appeared as host of business show Made in New Zealand, before moving to late night news shows Eyewitness and Newsnight. Mau was a presenter on Breakfast, and part of the original team on TVNZ’s primetime show Seven Sharp.
From Newsnight to Fair Go, Alison Mau's appearances on Kiwi screens cover over 20 years. Australian-born, she began her television career in the UK, and flourished in Aotearoa. Mau has appeared on many news and current affairs slots, and presented on both Breakfast and primetime show Seven Sharp. In March 2018 she announced the launch of the #MeTooNZ campaign, investigating workplace harassment.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.