The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
The first instalment of this two-part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined — houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.
Christchurch-based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 — then the 2011 quake hit on 22 February. Their initial focus was the experiences of everyday people coping with the destruction of large tracts of their city, but that was compounded as 2011 brought significant injuries and major loss of life. Liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of interviewees were followed over a year, as they struggled to come to terms with their new normal.
November 2019 marks 30 years since New Zealand television’s third channel first went to air. As this collection makes clear, the channel has highlighted a wide range of local content, from genre-stretching drama (Outrageous Fortune, The Almighty Johnsons) to upstart news shows (Nightline), youth programming (Ice TV, Being Eve) and many landmarks of Kiwi screen comedy (7 Days, bro’Town, Pulp Comedy). As the launch slogan said, "come home to the feeling!" In this background piece, Phil Wakefield ranges from across the years, from early days to awards triumph in 2019.
This NZBC news item went to air the day after legendary Prime Minster Norman Kirk passed away. There are tributes (some off-screen) involving everyone from Kissinger, Muldoon and Trudeau to the Queen, and an interview with Deputy PM Hugh Watt. Reporter George Andrews outlines Kirk’s life and career, including footage of Kirk recalling his time working on the Devonport Ferry, and having to break a promise about a Springbok Tour. Andrews charts Kirk's rapid political rise, including becoming the country’s youngest mayor, and the mark he made on the international stage.
In September 1974, NZ reels from the premature loss of Norman Kirk — dead at 51 after just 20 months as prime minister. For this NZBC current affairs show, reporters Joe Coté and George Andrews head to the provinces to find out how Kirk is remembered by the ordinary men and women he valued so much. In less than stellar Labour strongholds in Central Otago and Taranaki, they meet people won over by a politician prepared to listen and treat them as equals. Their palpable affection is shared by Pacific leaders Gough Whitlam, Albert Henry and Michael Somare.
With the advent of two channel television, Encounter became TV2's local documentary strand showing half-hour programmes at 7.15pm on Sunday nights (although it was later moved to 9.40pm). With a brief to explore "people, places and life in New Zealand today", it featured work made by TV2 staff producers, directors and reporters including Bruce Morrison, George Andrews, Keith Hunter, DOC Williams, Bryan Allpress and Rodney Bryant (who made a number of profiles of prominent New Zealanders). In 1977, it was replaced by Perspective.
The Mockers were at the peak of their mid-80s pop prowess when they released this single. It originated with Andrew Fagan’s Wellington based co-writer Gary Curtis hearing reports of the 1984 Queen Street riot in Auckland (after an outdoor concert which had featured The Mockers). The music video places the band amongst the lions, acrobats, rides and sideshows of the now defunct Whirling Brothers Circus (set up in Victoria Park in inner city Auckland). Fagan is resplendent in a velvet frock coat with lace cuffs, black choker and matching nail polish.
“You get the impression that Wellington wants an audience but doesn’t want to be seen to be trying too hard to get one”. This report surveys 1982's local music scene, framing tensions between an energetic politically-conscious underground, and commercial rock and pop (i.e. Auckland). Not all is positive, with complaints about lack of venues and promotion, and violence at gigs. Interviewees include Mocker Andrew Fagan, Nino Birch (Beat Rhythm Fashion), Dennis O’Brien, Ian Morris, promoter Graeme Nesbitt (in Radio Windy sweatshirt) and punk singer Void (Riot 111).
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years earlier. In this opening episode media reports of a mass grave discovered in Bosnia, force ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather keep buried. Also on the trail is ambitious Hague prosecutor Sophie Morgan and the journalist who was leaked the story. Written by Greg McGee (Fallout, Erebus, Skin and Bone), Doves screened for one season on TV3.