Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Wedding photographs are attempts to create and preserve perfection, taken under pressure. Can the results be art as well as personal history, or are they neither? Such questions are the focus of this Artsville doco, which benefits from insights by a multi-cultural cast of wedding photographers. Geoffrey Heath questions the reality of glamour and romance in some of his own art photography, while labouring to capture beauty in his wedding work. Others recall the challenges of getting good shots amidst drunkenness, dysfunctional families, and grooms in their undies.
Central North Island art is spotlighted in this episode of the road trip arts show. Douglas Lloyd Jenkins and Nick Ward discuss Len Lye's 'Wind Wand' and visit Michael Smither works in a Catholic church. Novelist Shonagh Koea reads in her favourite antique shop while photographer Sarah Sampson serves tea and discusses her fabric work and "chick art". Rangi and Julie Kipa reconcile traditional Maori process with modern art, performance artists Matt and Stark deconstruct the family sedan; and, in Wanganui, Ross Mitchell-Anyon is proud to call himself a potter.
After the passing of a family member, the Bell family discovered a selection of late 19th century photographs tucked away in a closet. Taken by a man named William Partington, the photos documented local Māori around the Whanganui River area, and were subsequently of incredible cultural and financial value. The owners of the photographs opted to sell them at auction. Local iwi on the other hand, felt it important that their whakapapa returned home. Winner of an Aotearoa TV Award, this documentary tells the story of finding compromise when dealing with precious taonga.
This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
In the mid-1990s one of Peter Peryer's photographs caused a diplomatic stir. 'Dead Steer' depicted the bloated carcass of a cow on a lonely New Zealand roadside, and the then Agriculture Minister protested its inclusion in a German exhibition of Peryer's work. This documentary from prolific arts director Shirley Horrocks examines the life and career of this important New Zealand artist. Peryer was awarded an ONZM for his contribution to photography and in 2000 became one of five inaugural laureates of the Arts Foundation of New Zealand. He died in November 2018.
The work of artist John Reynolds takes in painting, photography, clothing, tattooing and landscaping. Shirley Horrocks frames this Artsville documentary as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in Reynolds' life, the film observes him as he makes and debuts a big painting (Cloud) at the 2006 Biennale of Sydney, works on large-scale outdoor works, redesigns a swanndri, and takes time out to appear in an episode of bro'Town.
Ever wondered why artist Peter Peryer photographed himself holding a chicken? This documentary provides the answer. Directed by Greg Stitt (Just Me and Mario), it traces the path of one of New Zealand's most significant, and intriguing, art photographers — from "crucified Christ to laughing Buddha" — through Catholic themes, to a more minimalist approach. Also showcased are some of Peryer's captivating images: the "bodies of work, families of photos, and images that rhyme". The photographer passed away on 18 November 2018.