Rangi Hetet was only 17 years old when he began working as an apprentice, carving the Tāpeka meeting house. Six decades later, his life and work are examined in this documentary, as his children prepare to exhibit his work at the Dowse Art Museum alongside that of their mother, the late Erenora Puketapu-Hetet. The feature-length documentary also explores the art of whakairo (carving), and its cultural significance within Māori communities. Mo Te Iwi director Robin Greenberg's earlier film Tu Tangata: Weaving for the People (2000) was about Erenora and her Māori weaving.
NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
This documentary looks at the life of neglected painter Edith Collier. Whanganui-bred Collier left for London in her late 20s to study art; her painting flourished, experimenting with modernism alongside fellow expat Frances Hodgkins. She returned home after World War I to family duty, and ridicule for her art (her disgusted father set fire to her nudes). Interviews with her biographer and family, and shots of her work, make for a poignant biography of a (curtailed) artistic life. Listener reviewer Helene Wong called it “affecting viewing, with a sense of discovery”.
This documentary delves into Christchurch underground band Into the Void. The Black Sabbath-inspired group was formed in the late 80s by art school students Jason Greig, Paul Sutherland, Ronnie van Hout and Mark Whyte. Two decades spawned only two albums; the reputation of “Christchurch’s answer to Spinal Tap” rests on legendary live shows, with noise complaint-worthy riffs splitting ears at former bar Dux de Lux. Director Margaret Gordon assembled archive and interviews with band members and mates to capture the milieu of metal, booze, quakes and art.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
The format for New Artland was to film a leading Kiwi artist devising an artwork, in collaboration with a community that they have some kind of bond with. In this episode host Chris Knox meets Karl Maughan, known for his vibrant paintings of garden flowers. Maughan returns to Palmerston North's Freyberg High School (where he was encouraged to enrol at Elam School of Art) and enlists 20 students over a week to make a 30 metre long mural. He explains why rhododendrons are his main subject, and gets permission from the principal to help the kids graffiti the art block.
This 1991 story from magazine show Sunday profiles Logan Brewer: production designer on Kiwi TV classics (C’Mon, Hunter’s Gold), and producer of Terry and the Gunrunners and live ‘spectaculars’ like the 1990 Commonwealth Games opening ceremony. He talks through his career: learning about performing at England's National Theatre, and selling Aotearoa as “the last paradise” for Expo '92 in Seville — for which he is shown wrangling an extended shot of Kiri Te Kanawa and the NZ Symphony Orchestra, promoting fibreglass pohutukawa, and working with designer Grant Major.
In the first episode of The Candles Wasters’ multimedia web series, Hannah Moore (Nova Moala-Knox) struggles to deal with the sudden departure of her dad, and her art teacher romancing her mum — who happens to be the school principal. It’s downhill from there. Helped by best friend Isla, Hannah finds solace in the comic book she is creating, which in real life can be read online at Radio New Zealand. The comic involves a brave knight who must overthrow a usurper, after the King vanishes. Featuring a dark sense of humour, the series deals with mental illness and loss.
This episode of the series profiling creative Kiwi culture is presented by hip-hop diva Ladi6, her partner Parkes, and cousins Scribe and Matthias Luafutu. Verse 2, her act at the time (before her solo success) is profiled in her hometown of Christchurch — and Luafatu's journey from prison to drama school is explored (with glimpses of Scribe on the brink of his hugely successful recording career). Other segments visit the air guitar champs and find director Brendan Donovan in New York where he made his debut short with Six Million Dollar Man Lee Majors.
This Inspiration edition profiles NZ’s pre-eminent children's author Margaret Mahy: from her childhood as "Mad Margaret", through her days as an unmarried mother and librarian to an internationally acclaimed writing career. The centrepiece is a specially commissioned – and typically zany – story about a story (complete with talking mail boxes, typewriters and bookshelves) where Mahy goes meta, and explores the role imagination plays in her work. Throughout the Keith Hunter-directed documentary there is vivid evidence of the remarkable bond Mahy shared with her readers.