Amy Street is an award-winning series of eight short documentaries. Each tells the story of a resident in a Thames assisted living community for people with intellectual disabilities. Opening the series is Celeste, a superfan of Shortland Street who gets to meet one of her Street idols. Other interviewees include Moyzee, a keen singer who says "labels are on jars and I'm not a jar so you can't label me"; couple Topsy and Dave, who are excited about their upcoming wedding, and Jonathan, a runner who hopes to win a medal at the Special Olympics in Dunedin.
This 2016 web series looks at life for residents of The Supported Life Style Hauraki Trust in Thames. Amy Street is an assisted living programme for people with intellectual disabilities. The eight short documentaries each focus on a different resident. Amy Street was made by Kirsty Griffin and Viv Kernick of Bella Pacific Media, who got the funding after profiling a resident of the trust in one of their earliest films, Wayne. As the duo put it, "pretty quickly we no longer saw the disability but the individual." Amy Street won awards at web festivals in Berlin, Melbourne and Buenos Aires.
“Mental subnormality here is no higher than in other countries. Still it strikes more than one in a thousand.” The subjects of this 1964 NFU documentary are intellectually disabled patients (mostly children) at a Levin psychopaedic hospital, and the trainee nurses who care for them. The narration embodies contemporary healthcare ideas where “retarded” children were seen as patients to be kept “happy among their fellows”, and sheltered from the outside world. By the 90s, institutions like this one (later renamed Kimberley) were overtaken by assisted living.
Gina lives in a dark, silent, room in a Wellington rest home, unable to leave her bed, communicate except by a complex touch system, and barely able to move. A rare unnamed genetic disorder has left her living what she calls “an existence, not a life”. This documentary by Wellington film-makers Wendall Cooke and Jeremy Macey takes a look at her condition in relation to euthanasia, for which she is a passionate advocate. As Gina did not want to appear on camera, her sister Roslyn who suffers from the same condition, albeit less severely, portrays her in the film.
Strange things are going down at the Bailey farm in this deadpan short film. A pile of mysterious crates requires some serious detective work: small-town cop Darryl Kitchen (Roy Snow from Go Girls), ably assisted by best mate Brian and a stash of sandwiches, is up for the challenge. Officer Kitchen's dedication to getting his catch includes a chase that could be used in police recruit videos. Serve and Protect won audience choice awards at both New Zealand's Show Me Shorts Film Festival, and Nevada's High Desert fest — among the 16 festivals it was invited to around the world.
TV producer Claudette Hauiti (Ngāti Porou, Ngāpuhi) began her career as a sports journalist on radio before moving to television news. In later years, her production company Front of the Box made ground-breaking Māori series such as Eye to Eye and Takatāpui, as well as the award-winning documentaries Gang Girls and Children of the Revolution.
Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
Since joining state television as a sound operator in the 60s, Ron Pledger has gone on to win a reputation for his assured coverage of a wide range of live events, from concerts to This is Your Life to the state funeral of Sir Edmund Hillary. A life long music lover, Pledger was awarded an MBE in 1992, helping recognise 40 years of service in a military band.
Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.