Highlights from the second test of the 1966 Lions tour feature in this National Film Unit newsreel. Soundly beaten in the first test, the Lions took drastic steps for this match at Wellington’s Athletic Park: dropping six players including their captain. On a muddy ground, with the capital’s wind playing its part, the Lions are more competitive — but the All Blacks run out deserved winners with tries to Kel Tremain, Tony Steel and a rampant Colin Meads (but no on-field celebrating). Half-back (future MP and radio announcer) Chris Laidlaw also figures prominently.
This was the 24th edition of New Zealand Mirror, a National Film Unit series promoting NZ to British audiences in the 1950s. The first clip, on rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in NZ theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy.
This was the very last edition of the National Film Unit’s Weekly Review, a magazine-style film series which screened in New Zealand cinemas from 1942 until 1950. The first item is winter sports fun (ice skating, ice hockey) on a high country lake; the second report examines prototype newsprint made in Texas, from New Zealand-grown pine; the last slot covers the touring British Lions rugby team’s match against the NZ Māori, at a chilly Athletic Park. The Māori play the second half a man down after losing a player to injury (this was before injury substitutions were allowed in rugby).
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).
The Wellington region is the focus of this 1958 edition in the long-running NFU series. The newsreel shows the rapidly developing town of Porirua, where farmland is being converted into state housing. Meanwhile in Taita the Hutt Valley Youth club provides entertainment for bored young people on Sunday afternoons. Highland dancing vies with skiffle and rock and roll, and Elvis-style quiffs date the teen spirit. Such clubs were set up after the 1954 Mazengarb inquiry into juvenile delinquency. And at Athletic Park a classic All Black line-up wallops the Wallabies 25-3.
This 1968 segment from an early Sunday night magazine show provides light-hearted visuals for a classic Kiwi song. Though written by Rod Derrett as a parody, 'Rugby, Racing and Beer' became an unofficial national anthem of the 60s, where it was an icon of the Kiwi male's recreational trio of choice. The clip takes the perspective of a "little shaver" being educated in his national heritage by various footy-playing, boozing'n'betting paternal role models (aka blokes afflicted with 'Kiwiitis'). The early New Zealand music video finishes with scenes of packed terraces at Athletic Park.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
This segment of regional show Today Tonight covers the arrival at Wellington Airport of glam-rockers Kiss (with faces obscured), and the erection of 22 tonnes of equipment for their 1980 ‘Unmasked’ tour. Presented by Roger Gascoigne, the item shows playful sound bites from Simmons and co in full make-up, plus contest winner Scott Loveday after he gets to meet the band. Gene Simmons might have been made for loving you baby, but the "hottest rock show on earth" (tickets $12.50) battles against wind and rain at Athletic Park. The park is now the site of a retirement village.
Men of the Silver Fern was a four-part celebration of all things All Black, made in 1992 for the centenary of the NZRFU (now known as New Zealand Rugby). This first episode covers the early period from when Charles Monro kicked off the sport in NZ in Nelson on 14 May 1870, through the establishment of rules, provincial unions and the New Zealand Rugby Football Union. The programme surveys the front-running international tours — from the 1884 Flaxlanders to the 1888 Natives, 1905 Originals and 1924 Invincibles — where the All Blacks’ "winning reputation" was forged.
A Political Game charts not only intense rugby rivalry between South Africa and New Zealand, but also the politics of racism that came increasingly to the fore. The signs were there during the Springboks first tour of New Zealand in 1921: a South African reporter was outraged white New Zealanders had supported a Māori side. In 1976 an All Black tour of South Africa sparked an African boycott of the Montreal Olympics; the 1981 tour saw violent protests. Starting with the historic All Blacks win in 1996, this excerpt jumps back in time to chart conflicts on and off the field, up until 1949.