From the mid 1960s into the 1980s, Christopher Bourn’s name was synonymous with entertainment on New Zealand television. But the man behind talent shows Studio One and New Faces also played a role in groundbreaking sports broadcasts, including the first All Black test screened on television. Bourn also held senior management roles in both the old NZ Broadcasting Corporation and TVNZ.
Showbiz has been my life, and music still plays a huge part in my day. Chris Bourn
For nearly a decade, Selwyn Toogood and his panel of beauties helped solve life’s tricky problems every weekday afternoon. In this special 1000th episode, the problems range from a nine-year-old’s unaffectionate grandparents, to being caught between feuding neighbours. Making a special appearance is loyal viewer Ruth Flashoff, who is flown from Havelock North to Dunedin's Regent Theatre for the show. Toogood also gives praise to those behind the scenes, meets his old boss Christopher Bourn, and reels off an impressive list of statistics about the camera team.
The new performers section of the NZBC’s TV talent quest concludes after 12 weeks of competition — with an incongruous line-up of finalists including two performing family acts, a soft rock group, a pub band, two cabaret singers and glam rockers Space Waltz competing for a $750 prize. It’s a reminder of the light entertainment industry that dominated TV music shows in the 1970s, but the real entertainment here is watching the judges (Phil Warren, Howard Morrison, Paddy O’Donnell and Nick Karavias) as they bicker, squabble and interrupt each other.
“Watch out young love!”. Even in black and white, Alastair Riddell’s pouting David Bowie riff brought a shock of rock'n'roll verve to the ‘New Faces’ talent section of Studio One — a popular TV show more used to singing families and novelty acts. The judges were mostly bemused by the glam rock onslaught and only grudgingly allowed Alastair Riddell's band to get through to the finals (where they buried them). But rock fans took notice of the x-factor and EMI quickly signed the band. Within weeks 'Out on the Street' had become the first local chart topper in three years.
This NZBC series from the first great era of TV talent shows (and the heyday of light entertainment on the box) featured three new artists and three new songs vying for the judges' favours each week. Performers include Steve Allen (fresh from the success of his Commonwealth Games song 'Join Together') and actor and singer Annie Whittle; and there's a rare glimpse of singer-songwriter John Hanlon. Auckland band Space Waltz steals the show in the New Faces section, debuting their glam rock anthem 'Out on the Street' to an unsuspecting nation (and judges).
This short clip marks the only known footage of John Hanlon performing his biggest hit 'Lovely Lady', via NZBC talent competition Studio One. The song ended up placing second, but went on to spend 20 weeks in the NZ charts. It reached number one, and won the 1974 APRA Silver Scroll songwriting award. Despite his immense success — he won another Silver Scroll the following year, and earned multiple RATA awards — Hanlon has faded somewhat from New Zealand’s cultural consciousness, since concentrating from 1978 on a career in advertising.
New Zealand’s first global pop success story made one of its earliest screen appearances on this TV talent quest. The episodes are no longer preserved, but a family friend of the Finns pointed his Super 8 camera at the television screen. The clips are combined with the band’s memories from 2005 radio documentary Enzology. Split Ends (the ‘z’ came later) competed in the 18 November heat with ‘129’, and a week later in the final, miming ‘Sweet Talking Spoon Song’. They lost to Wellington's Bulldogs Allstar Goodtime Band, with a pre-Simon Cowell Phil Warren judging the lads “too clever”.
Promoter Joe Brown’s Search for Stars was a popular nationwide talent quest, broadcast on radio by Selwyn Toogood. This 1970 report from Living in New Zealand sees future TV executive Ernie Leonard interviewing entrants, during rehearsals at Rotorua’s Summer Carnival (including a young Tom Sharplin). Then it’s the 12 January grand final at the city's Sportsdome. Second place getter is 16-year-old Bunny Walters (who would go on to television fame, and score hits with 'Brandy' and 'Take the Money and Run'). Tui Fox won first prize: $2,000, and a recording contract with Brown.
DJ Neville (“Cham the Man”) Chamberlain hosts this episode from the first series of the NZBC’s nationwide search for stars. Judges Nick Karavias and Jim McNaught and guest Allison (“Queen of Pop”) Durbin preside over entries in the original song competition (all sung by Yolande Gibson); and the New Faces segment features vocal trio The Shevelles, a saxaphone quartet and 16-year-old country singer Brendan Dugan (the eventual winner of the series). A film clip of Wellington band The Avengers’ classic ‘Love Hate Revenge’ shows as the judges convene.
One of Wellington’s leading 60s bands present a dark and troubling tale of revenge via voodoo doll. The clip — made for the Studio One TV show, a regular Avengers' gig — incongruously takes its cues from music video precursors like early Beatles films and The Monkees TV series (where the default position was zany and madcap). It was shot around Oriental Bay, with one fleeting pre-Te Papa harbour vista — but the focus is mainly on the band’s antics. The Avengers gamely enter into the spirit of it all, although four on a motor scooter looks decidedly dodgy.
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.
Sitting in the Rain is a New Zealand pop landmark. One of the earliest music promo clips, filmed for television in 1967 by the NZBC, it is a cover version by a local band that became better known than the original (by UK blues stalwart John Mayall). The Underdogs were a powerful electric blues combo, but with 'Sitting in the Rain' they knew that less is more; the film clip, used to fill TV scheduling gaps, is similarly unfussy. Like a surly, underground Monkees, the anarchic Underdogs don't hide the fact that the performance is mimed.
After being spotted by television producer Christopher Bourn at the 1966 Loxene Golden Disc Awards, Maria Dallas was asked to star in series Golden Girl, grooving and bopping through country and crossover numbers. On a WNTV-1 stairway to nowhere set, she duets on Loxene winner ‘Tumblin’ Down’ with the song’s writer Jay Epae. Her other four numbers include ‘Rustle Your Bustle’ (by Kiwi Sam Freedman), and ‘Engine Engine No 9’. Guests The Dallas Four make their TV debut with a version of doo-wop classic ‘Stay’. The band went on to provide backing vocals for pop show Happen Inn.
Highlights from the second test of the 1966 Lions tour feature in this National Film Unit newsreel. Soundly beaten in the first test, the Lions took drastic steps for this match at Wellington’s Athletic Park: dropping six players including their captain. On a muddy ground, with the capital’s wind playing its part, the Lions are more competitive — but the All Blacks run out deserved winners with tries to Kel Tremain, Tony Steel and a rampant Colin Meads (but no on-field celebrating). Half-back (future MP and radio announcer) Chris Laidlaw also figures prominently.
New Zealand TV and the space race grew up hand in hand. For 11 years, self-taught astronomer and enthusiast Peter Read explained each new development and talked about what could be seen in the heavens on his monthly show Night Sky. A commercial artist by training, Read painted the set’s early backdrops. He made several trips to the USA to witness launches, interviewed visiting astronauts and, with models in hand, broadcast live on the night of the first moon landing. When it was cancelled in 1974, Night Sky was the country’s longest running show.