Dunedin band Mother Goose scored their biggest hit with this novelty song extolling the previously overlooked romance-promoting qualities of sauced legumes (and won extra marks for avoiding flatulence jokes). The Australian-made video references Queen's pioneering Bohemian Rhapsody clip and features Melbourne trans-sexual drag show performer Renee Scott as the recipient of one of the more bizarre pick-up lines. In his post Mother Goose career, keyboard player Steve Young (the bearded ballerina) directed The Chills' classic Pink Frost music video.
Suzy Cato explores the workings of the digestive system in her science programme for five to nine year olds. A plate of baked beans is the starting point — but, first, the inevitable by-product of baked bean consumption is addressed in vox pops. Vinegar, funnels and pantyhose are just some of the aids Cato uses to simulate the process; and the changes are contrasted with untouched baked beans at each stage. The results aren't pretty but the explanation is clear and good natured — and the audience outside the studio is spared the resulting smells.
Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
In the pre-Flying Nun era, Mother Goose was the most successful band to emerge from Dunedin. Their mad-cap image and on-stage antics blended mid-1970s rock'n'roll theatricality with a nursery sensibility built around characters that included a sailor, a bumble-bee, a ballerina and a nappy-clad baby. Their biggest hit, the novelty song 'Baked Beans', threatened to overwhelm their more serious music and a career which ran to three albums, extensive touring in Australia and the USA and an APRA Silver Scroll for their 1981 single 'I Can't Sing Very Well'.
In this intimate documentary painter Michael Smither lays bare his life — from a stern Catholic childhood in New Plymouth to the inspiration of Central Otago to his senior years in Otama Beach, collaborating on natural artworks. Smither is best known for his unflinching portraits of family life, works like 'Sarah with Baked Beans' which capture the untamed energy of small children. Smither acknowledges the hardship behind these famous paintings, and the toll it took on his first marriage. Ex-partners (including novelist Rachel McAlpine) open up about their time with Smither.
Jonathan Brugh and Jason Hoyte were once the shirtless, high energy, tights wearing 90s comedy duo Sugar and Spice. Here the pair reminisce about having fun on stage, thriving on failing and more...including: Being introduced through mutual friend Brendhan Lovegrove, and immediately hitting it off Feeling exhilarated after their second ever gig was a "hideous failure", with the audience throwing ice at them "Pretending" to be comedians by wearing no clothes and being messy, because they didn't know how to make jokes Performing on comedy show Pulp Comedy for the first time using baked beans and shaving cream Hoyte recalling the "tremendous thrill" of acting in TV comedy Seven Periods with Mr Gormsby — "I still get teachers coming up to me and telling me how much they love Gormsby" Brugh's joy in working and improvising on hit movie What We Do in the Shadows — including the beloved scene where his character Deacon showcases his erotic dancing skills
Veteran wildlife cameraman Robert Brown has filmed everything from polar bears to pukeko in places from the Arctic to the Antarctic. He shot the rare bird stories that led to the formation of state television's Natural History Unit (later NHNZ), and contributed to classic BBC David Attenborough series, such as Life on Earth and The Living Planet. In 1981 he won a Feltex Award for his work on Wild South.
After almost two decades of directing and producing documentaries, David Harry Baldock left TVNZ in 1988 to launch Ninox Television. The company’s roster of reality-based programming included export hit Sensing Murder, local award-winner Our People Our Century and nine seasons of Location Location Location. These days Baldock is busy making arts programmes from Shanghai.