He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Jess Feast's debut feature documentary centres around the hip Berlin burlesque joint, White Trash Fast Food, and explores life in post-wall East Berlin: a place where libertines and die-hard communists co-exist but not always harmoniously. The Cowboy is Wally, an artist and chef, who escaped LA to live a life of freedom in Berlin. The Communist is Horst, an intelligent ex-journalist who lives upstairs from White Trash, and mourns for the old regime. Won Best Documentary by a young filmmaker at the Kassel Documentary Festival, 2007.
Jack Lovelock won New Zealand’s first Olympic athletics gold medal. He did so in spectacular fashion, winning the 1500m at the 1936 Berlin Olympics. In front of Hitler and 110,000 spectators, the famous ‘Lovelock kick’ unfurled into NZ’s sporting and collective consciousness: from Timaru to Oxford to Berlin triumph. Yet Lovelock was an enigmatic achiever. In this short film, the race — the supremely judged apex of a sporting career — is contrasted with his mysterious and tragic death, falling in front of a train from a New York subway platform in 1949.
This documentary follows the "seven headed soul monster direct from the shores of Wellington" — Fat Freddys Drop — as they rumble their dub-rich sound through Europe like a Houghton Bay roller. Touring to showcase album Based on a True Story, it features rehearsals and performances, eating Italian kai moana, playing concrete ping pong in Berlin, and (in the fifth clip) a jam with Cliff Curtis. Radio 1 DJ Zane Lowe lauds the 'fullas' and Mu explains whanau to German journos. True Story sold 120,000+ copies and dominated the 2005 New Zealand Music Awards.
This film comprehensively surveys Kiwi Olympic success to 1968. Footage includes triumphs from running men Lovelock, Halberg and Snell (trying a celebratory haka), and long-jumper Yvette Williams; and podium efforts from Marise Chamberlain, Barry Magee and John Holland. The John O'Shea-made doco then meets athletes training for the upcoming Mexico Olympics. Reigning Boston Marathon winner Dave McKenzie runs on deserted West Coast roads and Warren Cole rows under snow-capped mountains on Lake Rotoiti. Cole would go on to win gold as bow of the Men's Coxed Four.
John Wilkinson didn’t realise until after the end of World War ll that he’d broken his back when the plane he was piloting in North Africa was shot down. Captured and beaten up by Italian soldiers, interrogated by the Gestapo, John eventually ended up in the notorious Stalag Luft III prison camp in what is now Poland. He was involved in the Wooden Horse Escape, one of the most famous of the war. Later he would meet his future wife at the camp, a displaced person from Lithuania. Now 95, John’s memory of his wartime experiences remains undimmed.
In this full-length Intrepid Journey, Paul Henry brings his straight-talking style to Tibet. Entering Tibet after three days in Kathmandu, Henry encounters dodgy plumbing and the occasional surveillance camera, though he finds a certain romance in the dirt. Henry makes no effort to hide his feelings on yak butter tea, fights altitude sickness en route to Mount Everest base camp, and visits Potala Palace — ex home to the Dalai Lama, now "a mausoleum to old Tibet". For Henry, now is the best time to visit, because "Tibet is being snuffed out. This is just going to be another corner of China."
Media satirist Jeremy Wells travels through Libya and coments on what he sees with his trademark impassive delivery. He dresses in traditional male garb, takes in Tripoli's ancient medina, dines in traditional Berber settlements, and journeys through the Jebel Nafusa highlands. On the way Wells rides an angry camel, complains about the lack of women, holds hands with a man, and recounts Colonel Gaddafi trivia, musing with deadpan gormlessness, "he must be nice because nobody seems to have a bad word to say about him."
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).