Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons. 

This Review episode from 1973 offers an interview with Hone Tuwhare — then 51 years old — at the Māori Writers' and Artists' Conference at Tukaki Marae, in the town of Te Kaha. One of New Zealand’s best-loved and lauded poets, Tuwhare speaks of various influences, including sex, religion, trade unionism and communism. Poet Rowley Habib sits alongside Hone in the interview, and occasionally contributes to the conversation. This documentary also features a poetry reading from Dunedin's Globe Theatre.

In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s. 

This documentary offers a glimpse into the life, art, and inimitable cheeky-as-a-kaka style of late Kiwi poet, Hone Tuwhare. In the Gaylene Preston-directed film, the man with "the big rubber face" (cheers Glenn Colquhoun) is observed at home, and travelling the country reading his work; polishing a new love poem; visiting old drinking haunts; reading to a hall full of entranced students; and expounding his distinctive views on everything from The Bible to Karl Marx's love life. He reads some of his best-known poems, including Rain and No Ordinary Sun.

Since debuting in 1986, Praise Be has become a Sunday morning perennial. In this extended 1993 Christmas special, original Praise Be presenter Graeme Thomson travels far and wide in search of heavenly vocals: including big city cathedrals, schools, among singing sailors at Devonport Naval Base, and to a disused Canterbury flour mill, where the local farming community pack in for 'Away in a Manger'. A number of TV personalities (Judy Bailey, Phillip Leishman) also make appearances, to talk about Christmas and read from the bible.

More everyday Americans are encountered as this documentary series — fronted by Gordon McLauchlan — visits Tennessee, Virginia and Kentucky to explore the Bible Belt touchstones of patriotism, mining, religion, guns and country music. Interviewees include a former miner and self confessed mountain man who collects guns and teaches scripture, a new wife and mother trying to settle into life in a smaller town, a truckie and aspiring musician who sees big rig drivers as the last cowboys, and a singer/songwriter looking for that elusive big break in Nashville.

From the second series of short documentaries remembering New Zealanders in World War I, this episode looks at Ormond Burton. Burton left for war as a 21-year-old, and served as a medic and in the infantry. He was decorated for bravery, and a bible saved him from a bullet. His stance on the justness of war changed after experiencing the horrors of Gallipoli and the Western Front. During  World War ll the Methodist minister was jailed as a conscientious objector; later he became a prominent pacifist and anti-Vietnam War campaigner. The series screened during 3 News.

Credited to a band with the shortened name The JPS Experience (possibly at the request of Jean Paul Sartre’s estate), the ‘Breathe’ EP prefigured the Christchurch band’s third album — their swansong — and yielded their highest chart placing. Produced by Strawpeople’s Mark Tierney, and hailed by US alternative music bible Trouser Press as “glamorous ennui”, it defines the majestic, woozy pop that was increasingly becoming their forte. Director Matt Palmer’s video never strays from the band — with fluid camerawork framing them in fire, ice and shimmering reflections.

It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”

This National Film Unit documentary looks at thoroughbred racehorse breeding in New Zealand, an industry described as producing "the world's finest racing" — eg 1966 Melbourne Cup winner Galilee. Made when racing could arguably still be called our national sport, the film visits leading stud farms (such as Trelawney in the Waikato) to follow the life of a foal, from birth through yearling sales and training, to Wellington Cup race day — when roads are gridlocked with "a congregation whose bible is a racing almanac". The footage includes a 'good citizenship' school for jockeys.