This edition of the mid 1990s TV One arts series sees host Alison Parr interviewing literary rising star Emily Perkins, then 26, while the expat author is visiting from London. Perkins talks about her time at drama school, her debut short story collection Not Her Real Name (whose Generation X life stories won international notice), and nerves about her upcoming first novel. The episode opens with poet Bill Manhire talking about book Mutes and Earthquakes, which anthologised the work and processes of his Victoria University creative writing programme. Perkins was a graduate.
This Richard Riddiford documentary collects together stories about the creative writing course at Victoria University. The storytellers are a roll call of names who have studied and taught there, from course founder Bill Manhire to current Insititute of Modern Letters director Damien Wilkins. Writers praise the gentle style of teaching and sense of community (and feedback). Eleanor Catton talks about the journey from her first novel The Rehearsal, written while at Victoria, to the first sentence of The Luminaries. The doco is named after the poem by American Wallace Stevens.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
Presented by Alison Parr, this 1997 TVNZ arts series focused on New Zealand literature and writers; it featured studio interviews with authors. The Write Stuff was made by Pinnacle Productions — Amanda Evans, Pamela Meekings-Stewart and Di Oliver-Zahl — who were also behind contemporary arts series For Arts Sake. There were 26 30-minute episodes. Those interviewed included Emily Perkins, Bill Manhire, Sonja Davies, Barbara Else, Kate de Goldi, and Marilyn Duckworth. The Write Stuff screened on TV One.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
Ken Duncum, who heads the scriptwriting programme at Victoria University, has written comedy (Skitz, Willy Nilly), detective shows (Duggan) and meta dramas about television itself (Cover Story). His extensive theatrical CV is laced with plays in which music plays a major part — including the acclaimed Waterloo Sunset, and hit show Blue Sky Boys.
Raised in Taranaki with seven siblings and roughly as many books, Anthony McCarten went on to co-write global stage hit Ladies Night. In 1998 he made his directorial debut with a movie of his play Via Satellite, followed a decade later by Show of Hands. In 2015 he won two BAFTA awards after writing Stephen Hawking biopic The Theory of Everything. Winston Churchill drama Darkest Hour and Bohemian Rhapsody followed.
Alison Parr has documented key moments in New Zealand’s cultural and social history during an award-winning career as a journalist, oral historian and broadcaster. Her credits include iconic programmes of the 1980s and 90s like Close Up and Kaleidoscope. In 2003 she joined the Ministry for Culture and Heritage, where she has spent more than a decade as an Oral Historian, recording the memories of war veterans.
The trio of documentaries surrounding the religious community of Gloriavale generated huge TV ratings. Amanda Evans is the director and producer behind this mini-TV phenomenon. In her 30 year career she has produced and/ or directed documentaries, reality series and iconic Kiwi kids and arts shows.
Ivars Berzins fell in love with photography aged eight, en route to TV assignments across NZ, in Norwegian fjords, and in East Timor. Berzins was chief cameraman in TVNZ's Wellington office before leaving in 1996 to start company Pacific Crews (now Pacific Screen), which he went on to run with his wife, producer Amanda Evans. These days he directs as well as films, including on documentary series New Zealand Stories.