Ken Duncum, who heads the scriptwriting programme at Victoria University, has written comedy (Skitz, Willy Nilly), detective shows (Duggan) and meta dramas about television itself (Cover Story). His extensive theatrical CV is laced with plays in which music plays a major part — including the acclaimed Waterloo Sunset, and hit show Blue Sky Boys.
A  'Top 30' list of New Zealand plays (as voted by theatre professionals) featured three of Ken´s plays (Blue Sky Boys, Flipside and Horseplay), the highest tally of any playwright. Playmarket website
Liv (Beth Alexander) is keen to start her own food business. Then her sister Frankie (Lucy Suttor) crashes into her life and demands a room. Across eight episodes of this comical web series, the two battle over personality differences and the family home. Frankie fakes a wedding to score drinks; Liv endures a series of embarrassing incidents while trying to win a major contract, meets an unusual pop star and learns surprising news about her boyfriend. Oddly Even won a TVNZ competition aimed at finding new screen talent, from 163 entries. The crew and many of the cast were under 25.
This Richard Riddiford documentary collects together stories about the creative writing course at Victoria University. The storytellers are a roll call of names who have studied and taught there, from course founder Bill Manhire to current Insititute of Modern Letters director Damien Wilkins. Writers praise the gentle style of teaching and sense of community (and feedback). Eleanor Catton talks about the journey from her first novel The Rehearsal, written while at Victoria, to the first sentence of The Luminaries. The doco is named after the poem by American Wallace Stevens.
Duggan stars John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, and scripted by Donna Malane and Ken Duncum. Eleven episodes of the Gibson Group series were made, following on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds make for an evocative setting in this sharp, classy Kiwi whodunit. Rachel Davies writes here about Duggan's birth.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
Duggan - Sins of the Fathers is the second of two telefeatures starring a brooding, charismatic John Bach as a city detective, drawn into a Marlborough Sounds murder mystery. Marion McLeod conceived the show; Donna Malane and Ken Duncum were nominated for an NZ Television Award for this script. The turquoise waters of the Sounds (shot by Leon Narbey) make for an evocative setting where Duggan, drawn by the irresistible allure of explosions and an unsolved case, investigates the murder of a convicted rapist. The late Michele Amas plays pathologist Jennifer Collins.
Before Gibson Group TV series Duggan there were two telefeatures: Duggan - Death in Paradise, and Duggan - Sins of the Father. This first telefilm murder mystery introduces New Zealand's answer to Inspector Morse; troubled and brooding Detective Inspector Duggan (John Bach, from Close to Home and The Lost Tribe) who has taken leave from the police, and headed to his bach in the Marlborough Sounds. In this excerpt, a reluctant Duggan is persuaded to investigate when police fish a woman's body out of the water at a local salmon farm.
Two 14-year-old girls discover that they have a lot in common in this two-part 1995 children's fantasy drama. They live in the same street, same house, same bedroom, but 76 years apart. An antique mirror/portal leads them on a time travel adventure involving nerve gas, a Russian Tsar and an English soldier. Created by Australian Posie Graeme-Evans (who devised TV hits Hi-5 and McLeod's Daughters) this award-winning trans-Tasman co-production between the Gibson Group and Millennium Pictures was sold to more than 60 countries. A second series followed in 1997.
This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
The Gibson Group drama series centres on a team of TV journalists working on a weekly current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, who has been lured back to Wellington from Australia by a network boss hoping her tabloid style will help ratings. Her workmates are not so confident. In this excerpt from the start of the first episode, Robbins hits the news (literally) as she runs into a disturbed nightclubber (Katrina Hobbs) on a rainy night. A pre-Lord of the Rings Fran Walsh was one of the series writers.
In this children's fantasy drama, the everyday trials of teenager Jo Tiegan — school, an archaeological dig — are soon forgotten as a mysterious antique mirror sends her back in time to her house in 1919. There, Jo (Australian actor Petra Yared) encounters 14 year-old Louisa Airdale (Michala Banas). In the time honoured tradition of time travel tales, Jo's excursion threatens alarming present day consequences. The award-winning trans-Tasman co-production was created by Australian Posie Graeme-Evans (who devised TV shows Hi-5 and McLeod's Daughters).
Skitz was a popular long-running sketch-based comedy that screened for four series. Populated with memorable characters and catch-phrases, and broad, take-no-prisoners humour, it won Best Entertainment Programme at the 1996 NZ TV and Film Awards. A particular favourite in its arsenal of regular characters was the Semisi family with their 'fresh off the boat' antics inspiring mirth and groans in equal measure. Skitz featured seasoned comedians such as Jackie Clarke, as well as new faces at the time, including Jemaine Clement of future Flight of the Conchords fame.
Away Laughing was an early sketch comedy show for both TV3 and Wellington production company Gibson Group. In this first episode from the second series, spies, skateboarders, Kiwi mateship, and All Black Buck Shelford are the butt of jokes. Along the way, Murray Keane plays both an Australian mocking New Zealand place names, and a true blue Kiwi; a trio of firefighters make idiots of themselves in a classroom; kids argue about the best kind of lunch; and onetime Telecom promo man Gordon McLauchlan (David Downs) interviews two gorillas about Telecom's privatisation.
The sketches for this TV3 comedy show were mostly performed on a revolving stage before an unseen audience — and dropped if no one laughed. The cast mixed rising stand-up comics (Jon Bridges, Vicki Walker) and actors (Hori Ahipene, Peta Rutter). Producer Dave Gibson was keen to avoid satire and politics, in favour of broad social comedy. Among the regular sketches were Walker's pioneering female-created character — society gal Felicity — Kevin Smith's fast-talking Joe Blow, and two gormless skateboarders. The Gibson Group show debuted on 6 May 1991; a second season followed.
The first episode of this sketch comedy show debuted in May 1991. Most of the skits were tested and filmed in front of a live audience. The large cast includes early appearances by a roll call of emerging talents: Kevin Smith displays his talent for accents, while frustrating a McDonalds lawyer and talking his way through customs; Vicki Walker's character Felicity crushes on Steve Parr; Danny Mulheron's self-satisfied priest Phineas O'Diddle embarrasses Hori Ahipene; and Facial DBX comedians Jon Bridges and David Downs play day-glo clad skateboarders talking digital watches.
Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.