Post-punk trio Blam Blam Blam formed on Auckland’s North Shore in 1980: Don McGlashan (vocals, drums), Mark Bell (guitar) and Tim Mahon (bass). Their second single was the legendary ‘There is No Depression in New Zealand’ — a theme song for the Springbok Tour-marred winter of 1981. A van crash seriously injured Mahon and spelt the end of the Blam. McGlashan later formed The Mutton Birds, before going solo. Mark Bell played in Coconut Rough and The Jordan Luck Band, and has written for NZ Musician. Tim Mahon joined Dead Sea Scrolls and spent time as Manukau City Council's arts coordinator.
A bittersweet Auckland 'goodbye' from Kiwi post-punk band Blam Blam Blam, after bad luck stopped them in their tracks. In 1982 bassist Tim Mahon was seriously injured in a van accident and the band decided to call time. In 1984 they briefly reunited and recorded this Radio with Pictures special for a live album. The footage is intercut with reviews tracking their career, and a brief interview with Don McGlashan and Mark Bell. The euphonium takes centre stage for Don't Fight it Marsha... and McGlashan takes over drums for alternative anthem There is No Depression in New Zealand.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
NZ On Screen has selected this collection of 30 Kiwi love songs, which spans 50 years of music. The list ranges widely — from an early Loxene Golden Disc winner for Ray Columbus and the Invaders, to Dragon in the 70s, and in the 80s, everyone from Blam Blam Blam to Prince Tui Teka. Entries from later decades include Tiki Taane and Unknown Mortal Orchestra. That's not even the half of it: along the way, check out a trio of classics whose take on romance is positively oceanic: 'Anchor Me', 'Sway' and 'Not Given Lightly'.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
This classic alternative national anthem by Auckland post-punk trio Blam Blam Blam became a theme song for New Zealand’s long, troubled winter of 1981 as the country was wracked by social and political division and the Springbok Tour. Poet and playwright Richard von Sturmer wrote the lyrics while the music was by Blams member Don McGlashan. The video features a band performance shot on the roof of TVNZ’s Shortland Street studios and shows a curious penchant for celebrity lawn mowing. The performing Marmite and Vegemite jars are, however, the real deal.
Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.
In 2006, Th’ Dudes reformed after 26 years. This documentary follows them on a national tour as members Peter Urlich, Dave Dobbyn, Ian Morris, Lez White and Bruce Hambling reflect on their former lives as late 70s pop stars. Encouraged to behave like stars, they didn’t disappoint. There are frank discussions about sex, drugs, an obscene t-shirt, on-stage nudity and other bad behaviour — but also the stories behind classic songs like ‘Bliss’, ‘Right First Time’ and ‘Be Mine Tonight’, which still captivate adoring, if aging, audiences a quarter of a century later.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
Fresh from stints on vocals with Pop Mechanix and The Swingers, Andrew McLennan (aka Andrew Snoid) formed Coconut Rough with Blam Blam Blam guitarist Mark Bell in 1983. The band quickly found top five chart success with ‘Sierra Leone’ — its infectious melody and keyboards made it a classic piece of synth pop: “Sierra Leone, it’s cold in the desert tonight". But the song's overwhelming popularity became an albatross around the band's neck. In 1986 McLennan rejoined Pop Mechanix, before spending a long period outside of music. Bell went on to play for Big Sideways, and write for NZ Musician.