Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
On a holiday to Mt Tarawera, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. In this third episode of the kids sci-fi series she meets its owner: 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka Tarawera itself). They find themselves under siege from a Predator-like 'Guardian' of the gun. If Drom and Jenny and local kids Tessa and Lloyd (future What Now? presenter Anthony Samuels) can't defeat the mechanoid, catastrophe is imminent! The South Pacific Pictures series found international sales and cult repute.
As the poster puts it, The Pā Boys is "about 'life, death and fu**ing good music'. It follows a Wellington band playing East Coast and Northland pubs, as they head for Cape Reinga. The trio find themselves on a roots journey that's both musical and personal (mateship, whānau, whakapapa). The cast includes singer Francis Kora, with songs by Warren Maxwell. Released in Kiwi cinemas on Waitangi Day 2014, Himiona Grace's first feature won positive reviews, and a Best Film gong at the 2014 Wairoa Māori Film Festival. Ainsley Gardiner (Boy) and Mina Mathieson (Warbrick) produced.
On a holiday to Mt Tarawera with her scientist parents, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. By touching it she unwittingly awakens 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka the volcano!). Local kids Tessa and Lloyd also own key pieces; if Drom and the teen trio can't defeat the gun-toting mechanoid ... human and alien species extinction is imminent! The internationally successful six part series was a South Pacific Pictures and Canadian co-production; it screened in 1991.
The God Boy is a portrait of a troubled teen Jimmy (Jamie Higgins) growing up in post-war small town New Zealand and wrestling with a repressive education and home front turmoil. Adapted from the Ian Cross novel by Ian Mune and directed by Murray Reece, the landmark film was the first NZ telefeature, gaining Feltex awards and front page reviews. With menace and Catholic guilt ever-present, it’s credited as a pioneer of what Sam Neill dubbed NZ’s “cinema of unease”. Higgins later starred in Australian TV show The Sullivans.
Part One looks at lesbian relationships - how different are they? A light-hearted romp through subjects such as butch and femme, monogamy, lesbian bed death, and raising children. Two gay farmers feature next, and talk about farming in the Waikato, and their jobs as horse trainer and shearer. Part Three takes us inside Mt Eden Prison where we meet a lesbian prison officer. She talks about working in this tough, testosterone-filled environment and reveals how observing men living in these conditions has made her a more compassionate person.
From humble beginnings in Wellington's working class Island Bay, Ron Brierley went on to become one of New Zealand’s wealthiest businessmen. This documentary tells the story of his meteoric rise. At its peak, Brierley’s company BIL held assets worth billions, and had 150,000+ Kiwi investors. Brierley gives his take on being ousted from BIL, and the company’s mixed fortunes in the 90s. Among those interviewed are Bob Jones and Roger Douglas. After leaving BIL, Brierley moved on to investment company Guiness Peat Group, and in 2012, Mercantile Investment Company.
In Boy, a college-aged rent boy exposes the truth about the death of a girl in a hit and run accident. Using typography that hovers on screen in place of dialogue, flares of bold colour, dioramic frames, and brutal portraiture reminiscent of Dianne Arbus, director Welby Ings creates a powerful, exquisite perspective on the silent claustrophobia and sexual violence of small town New Zealand. The film gained acclaim both at home and internationally. Accolades included Best Short Film at Cinequest in the United States.
Auckland school boy, and master of "the fine art of doing nothing", Josh Murphy realises a couch potato's dream in this episode of the award-winning young inventors' series. A self professed "lazy boy", Josh has dreams of a motorised chair equipped with the necessities of life — Playstation, DVD player and fridge. The show's challenge to Josh is to build his chair and spend a school day in it (including classes, rugby practice and school production); but did the resident experts really try out a jet powered chair? Or was it all a dream for slothful Josh?
Secondary school Auckland Grammar is a local landmark, with a reputation for academic and sporting excellence. This documentary surveys the state school's traditions; the "ways of Grammar" include academic streaming, the prefect system, and sport (rowing trials and the traditional 1st XV match against King's are featured). It also touches on the lengths parents will go to enable their children to attend the prestigious boys' school. Old boys interviewed include cricketer Dion Nash, All Blacks Doug Howlett and Grant Fox, and broadcaster John Hawkesby.