Framed around a visit to New Zealand by Irish-born entertainer Danny La Rue, this all-singing all-dancing spectacular was recorded over three days in March 1980. The “fella in a frock” was famed for his drag acts and double entendres. Comedians Jon Gadsby and David McPhail provide local support as Marlene Dietrich visits a farm, Mae West visits the All Blacks changing room, and Margaret Thatcher meets Robert Muldoon (McPhail). Filmed at Avalon Studios, the revue was a co-production with London Weekend Television, made during the golden era of NZ TV variety shows.
The original launchpad for Billy T’s rise to TV superstar, Radio Times travels back in time to find a fresh angle on the musical variety show. Inspired by 30s and 40s era radio shows, the series features a swinging dancehall band, fake singing stars, German villains, and coconut shell sound effects. Creator Tom Parkinson’s masterstroke: casting Billy T James as oh-so-British compere Dexter Fitzgibbons. In this episode the cast go South American, forgotten bombshell Alita Gotti channels Marlene Dietrich, and The Yandall Sisters cover Fats Waller classic 'Handful of Keys'.
This first episode from the kidult series pits 12-year-old Terry Teo, sister Polly and brother Ted against a gang of gunrunners led by crime boss Ray Vegas (former Goon Michael Bentine), after Terry skates down the wrong driveway and stumbles on the crims and their illegal arsenal. Terry was fondly remembered by Kiwi kids who grew up in the 80s. Taking cues from the Stephen Ballantyne and Bob Kerr comic it was based on, there are Batman-esque graphics and arcade game-style animated sequences. Sean Duffy’s bald villain is called Curly and the bikie is Billy T James.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
This series from the early 1980s profiles prominent painters and sculptors (including Neil Dawson, Greer Twiss, Jeffrey Harris and Richard Killeen). It was made for TVNZ (in association with the Queen Elizabeth II Arts Council) by Bruce Morrison and used art critic and historian Hamish Keith as a technical advisor. Morrison’s camera captures the artists at work and reviewing their careers and notable works, and he allows them to tell their stories entirely in their own words without the presence of onscreen interviewer or voiceover commentary.
The legendary Emmylou Harris brings a little bit of Nashville to TVNZ’s Auckland studio for her first ever TV special — recorded during a NZ tour in a deal which allowed her to own the international rights. One of country music’s great vocalists and most loved performers, Harris leads her seven piece band through an accomplished set (although banter is in short supply). Highlights include ‘Grievous Angel’ (which she originally recorded with her early mentor Gram Parsons), Bruce Springsteen’s ‘Racing in the Street’ and The Crystals hit ‘He’s A Rebel’.
Music has been integral to Kevin Ballantyne’s life since the day he picked up a cornet at age five. The Aucklander has been composing music for 40 years for television, theatre, short films and commercials. Ballantyne wrote music for the iconic Heartland series. His first foray into writing music for the screen was 1977 natural history documentary Red Deer, which won an award at the American Film Festival.
Terry Gray composed and arranged music for dramas, variety shows, dance legend Gene Kelly and the Commonwealth Games. Along the way, his work included everything from the iconic 'We are the Boys' Chesdale commercial to a gold-selling CD.
Jim Moriarty's screen career has ranged from 70s soap Close to Home and Rowley Habib's The Protestors, to starring in mock-doco The Waimate Conspiracy and playing Dad in The Strength of Water. Committed to theatre as a tool for change, he has often worked with troubled youth (eg 2003 documentary Make or Break). Moriarty's directing work includes TV's Mataku, and a stage musical of Once Were Warriors.
After learning the ropes making short films and music videos, ex soldier Matthew Metcalfe has made films in Antarctica and Iraq, and produced movies and TV movies with partners in Canada (Nemesis Game), England (Dean Spanley) and France (Capital in the 21st Century). His projects range from tutus (Toa Fraser's 2013 ballet documentary Giselle) to war (Leanne Pooley's animated feature 25 April).