After kicking off with 'Poi-E' and the opening of landmark exhibition Te Māori in New York, this documentary sets out to summarise the key elements of Māori culture and history in a single hour. Narrator Don Selwyn ranges across past and (mid 80s) present: from early Māori settlement and moa-hunting, to the role of carvings in "telling countless stories". There are visits to Rotorua's Māori Arts and Crafts Institute and a Sonny Waru-led course aimed at getting youth in touch with their Māoritanga. The interviews include Napi Waaka and the late Sir James Hēnare.
This 1985 film spins off Katherine Mansfield's request to her husband John Middleton Murry, to burn "as much as possible" of her letters and writing after her death. Three decades later Murry (Sir John Gielgud) is still haunted by Mansfield, as he works on a collection of her work. Brit Jane Birkin plays both Mansfield, and a Kiwi expat who reminds Murry of his ex lover. Initially charmed, she grows annoyed at Murry's narrow-minded view of Mansfield. John Reid took over directing two weeks before shooting began in France. Variety rated the Pacific Films drama nuanced and intelligent.
Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
Here is the News surveyed Kiwi television journalism up until 1992. Presented by Richard Long, this 10 minute excerpt looks at radio and TV coverage of the Wahine disaster, where over 50 people died after the interisland ferry struck Barrett Reef, on 10 April 1968. NZ Broadcasting Corporation reporters Keith Aberdein, Fred Cockram, Nadoo Balantine-Scott and cameraman Andy Roelents are among those recalling their experience of the storm, and the challenges of covering the tragedy — and broadcasting it across New Zealand, in the days before nationwide transmission.
The path of comedy folk duo Flight of the Conchords is dotted with failure, dismal corporate gigs, globetrotting fans and Grammy Awards. This extended Funny As interview sees Jemaine Clement and Bret McKenzie savouring their memories of the early days, and all the TV shows that got rejected along the way. Among the topics mentioned are: Wearing naked suits on the streets of Melbourne while promoting an early show The perpetual challenge of singing and playing guitar at the same time The Wellington stylings of their comedy — and how creative collaborator Taika Waititi throws a mean pizza McKenzie's opinion that Pulp Comedy "wasn't very flattering or helpful" to the comedians who featured on it How they probably wouldn't have lasted if that infamous, rejected show for TVNZ had ever come to pass How the Conchords got their name
This Loose Enz edition sees ambitious young TV ad-man Gary (Rex Merrie) attempt to climb the corporate ladder. His pitch to his old school superiors at a dinner party involves patronising a burgeoning Polynesian market. Open-neck shirts, wide lapels and gold chains represent the aspirational early 80s and bow ties and tartare sauce mark the Rotarian generation of Kiwi Mad Men. When wife Jenny (Alice Fraser) decides to be heard as well as seen, Gary finds his gender stereotypes challenged as much as his business sense. The gabby teleplay was written by Vincent O'Sullivan.
Allan Martin was influential in television in both New Zealand and Australia. In the early 60s he helped the fledgling television arm of the BCNZ produce popular regional show Town and Around, and was a key player in the creation of ground-breaking current affairs series Compass. After time in Australian television, he returned to set up NZ's second TV channel South Pacific Television in 1975. Martin was later Director-General of TVNZ from 1980 to 1985.
Judy Bailey is sometimes called the 'Mother of the Nation', thanks to nearly 20 years as newsreader on TV One’s prime time news bulletin. Bailey began as a TV/radio reporter for the NZ Broadcasting Corporation, before co-hosting regional magazine show Top Half with John Hawkesby. In 1986 she began her newsreading career on the Network News; after a long run working alongside Richard Long she took over the role solo in 2004. She has gone on to host a number of other shows, including Māori Television's Anzac Day coverage and travel show Judy Bailey’s Australia.
Kirsty Cameron started in short film and art installation, before costume designing the first of around 20 feature films — including the acclaimed Whale Rider, Slow West, and No. 2. Her list of awards also includes The Orator and TV movie Jean, about aviator Jean Batten. Cameron's third short as writer/ director, teen fable The Lethal Innocents, was invited to festivals in Sweden, Germany and the USA.