Collection

The Horse Collection

Curated by NZ On Screen team

This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.

Collection

The Peter Jackson Collection

Curated by NZ On Screen team

Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard. 

Don't Dream It's Over

Crowded House, Music Video, 1986

Neil Finn has described the lyric to this song as "on the one hand, feeling kind of lost and, on the other hand, sort of urging myself on". The wistful single was Crowded House's breakthrough, hitting number two in the US (and the top spot in Aotearoa, after local radio earlier showed little interest). Australian director Alex Proyas (The Crow) based his video on locations from the band members' childhoods. As Finn walks from room to room, the video also neatly reinforces the band's name. 'Don't Dream It’s Over' remains one of the biggest international hits penned by a Kiwi.

Point Your Toes, Cushla!

Short Film, 1998 (Full Length)

Point Your Toes, Cushla! captures a girl's eye view of the final minutes before she goes on stage in a ballet contest — where one wrong move could be a short cut to humiliation. In this case the danger is heightened thanks to a stage mother whose idea of encouragement is constant meddling (played in scene-stealing brilliance by Alison Wall). Low on dialogue but rich in detail, this film by Simon Marler was invited to a number of overseas festivals, where it won a jury diploma in St Petersburg. It also got general release in Kiwi cinemas. 

50 Ways of Saying Fabulous

Film, 2005 (Trailer and Excerpts)

Set in Central Otago in the drought-parched summer of 1975, gay-themed feature film 50 Ways of Saying Fabulous follows a chubby 12-year-old named Billy (Andrew Paterson) as he embarks on a challenging journey of sexual discovery. Adapting Graeme Aitken's novel, writer/director Stewart Main (Desperate Remedies) depicts a boy escaping into fantasy from the drudgery of farming duties — and learning about himself, his sexuality, and dealing with change. 50 Ways won a Special Jury Award at Italy's Turin International Gay and Lesbian Film Festival in 2005.

Inside Out

Avalanche City, Music Video, 2015

A lone boy in the wilderness and a mysterious airborne menace feature in this evocative, NZ Music Award-winning video for Avalanche City (aka musician Dave Baxter). Discovering a stag who’s fallen victim to the abstraction from the sky, the boy takes it upon himself to fight back, before it can inflict more damage on the forest’s residents. Despite the song being a last minute inclusion on Avalanche City’s second album We Are for the Wild Places, it later became the only Kiwi song to hit number one in 2015. An earlier video for the song was shot in one extended take on Raglan beach.

Taranaki

Short Film, 1954 (Full Length)

Four decades before starring in The Last Samurai, New Zealand’s most symmetrical volcano stole the limelight in this NFU short. Extolling a mantra of progress and change, Taranaki presents New Plymouth as regional hub and suburban paradise, surrounded by bays and gladioli. Narrator Paul Ricketts touches on a conflict-soaked past by recalling his great grandmother’s nightly refuge in a central city stockade, during the 1860s Taranaki Wars. Back in 1954, a fishing license costs two pounds, and co-operatively-run dairy factories produce over half the nation’s cheese.

Possum

Short Film, 1997 (Full Length)

In a wooden cabin on the edge of the forest, a strange young girl referred to only as 'Kid' holds court over her trapper Dad and his isolated bush family; she sits beneath the dinner table, makes animal sounds and refuses to be washed. This pitch-black fable is told through the eyes — and distinctive voice — of her sympathetic brother 'Little Man', who one night makes a fateful decision that liberates her into the wild. Filmed in gas-lit sepia by Leon Narbey, the atmospheric and award-winning film announced the directorial talents of the late Brad McGann.

Hunt for the Wilderpeople

Film, 2016 (Trailer and Excerpts)

Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. In this excerpt, the pair get caught, and s**t gets real. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result won acclaim almost everywhere it went, and became New Zealand's biggest ever local hit. 

Marti: The Passionate Eye

Television, 2004 (Excerpts)

Arriving downunder from London in 1958, Marti Friedlander began photographing New Zealand, partly as a way of coming to terms with what she saw as its foreignness. In the process she captured aspects of Aotearoa that familiarity had made invisible to its inhabitants. She photographed artists, Springbok Tour protesters, and kuia with moko (for a book with historian Michael King). After screening on TV One, Shirley Horrocks' documentary was one of 20 chosen to screen at Doku.Arts 2007, a German festival devoted to films about artists. Friedlander passed away in November 2016.