As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
Three New Zealanders was a documentary series that looked at the lives of three of NZ's most celebrated writers: Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh. Produced by Endeavour Films (John Barnett), the final chapter of this three-part series centres on internationally acclaimed crime-writer and Shakespearean director Dame Ngaio Marsh. It contains an interview with Marsh in her later years, interspersed with comments from former students and friends, and re-enactments from her novels (with the Blerta crew as players, and John Bach as Hamlet!).
This three-part documentary series was made to mark International Women's Year in 1975; it provides rare and precious interview footage with three of New Zealand's most celebrated writers; Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh; who each reflect on their life and philosophy. In the case of Ashton-Warner and Marsh, these documentaries were filmed in the last decade of their lives. Three New Zealanders was produced by John Barnett for Endeavour Films.
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
The son of a Canterbury mayor and lay preacher, Winter Hall turned his early love of acting into a long and steady Hollywood career. He used friendships forged in Australasian dramatic companies to gain entrée into the silent film world, and became a valuable, “poised and distinguished” supporting actor in over 100 films, including 1925 silent epic Ben-Hur. His career continued unabated through the introduction of the ‘talkies’. Image credit: Alexander Turnbull Library, B-158-009 (detail)
A Diploma in Broadcast Communication led Sam Blackley to a gig with high profile company Communicado, then a run producing youth shows Space, Squeeze, and Coast. Her other career highlights include three years as Channel Manager at Sky TV’s Documentary Channel, and five seasons producing community celebration series Neighbourhood.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.
Veteran actor Elizabeth McRae, NZOM, is probably best-known for her long-running role as Shortland Street receptionist Marjorie Brasch. Alongside her work as a theatre actor and voice coach, her screen work includes leading roles in the Return Journey episode of anthology series About Face, and Nancy Brunning short Journey to Ihipa.
From an early role as a teen bully in Children of Fire Mountain, Mark Hadlow, ONZM, has gone on to work beside Billy T James, Peter Jackson, talking hedgehogs and mutant huhu grubs. The veteran actor/comedian is fondly remembered for playing a wide-eyed farmer on hit TV series Willy Nilly; in Jackson’s three-part adaptation of The Hobbit, he was grey-bearded Dori the dwarf.
Costa Botes has had a long independent career as a director of drama (Stalin’s Sickle, Saving Grace ), a run of feature-length documentaries (Candyman, The Last Days of Winter) and at least one film that is very difficult to classify (Forgotten Silver). Botes also spent many years as a film critic, with a reputation for an acerbic wit.