This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
Hilary Barry was in her early 20s when she began reporting for TV3 in 1993. Twenty-three years later she left the network, after more than a decade co-presenting its prime time bulletin. In this excerpt from her last TV3 bulletin, newsreader Mike McRoberts gives an emotional farewell speech. A best of Barry video package shows her drinking a Spam smoothie for an early story, laughing about an "emergency defecation situation", and reporting from Christchurch and South Africa. Barry later spoke of leaving TV3 after many close colleagues had left the network.
Big hair, big shoulder pads and big earrings feature in this video celebrating Three’s 30th birthday. On 26 November 1989, TV3 — the first privately owned TV channel in New Zealand — transmitted from its Auckland studios for the first time. The promo opens with fresh-faced news reporters/presenters hamming it up for the camera, including Joanna Paul, Eric Young and Genevieve Westcott. The rest of the clip celebrates Three's successes (Outrageous Fortune, bro’Town, 7 Days) and takes a light-hearted look at its failings, revisiting times it went into receivership.
The Art of Recovery sets out to document "one of the most dynamic, creative and contentious times in the history of Christchurch". Director Peter Young (The Last Ocean) examines a post-quake city where creativity thrives among the rubble: from street art to dance spaces, to the beloved 185 Empty Chairs Memorial. But will the spirit of community and creativity survive the redesign? The Art of Recovery won raves after its 2015 NZ Film Festival premiere at Christchurch's recently restored Isaac Theatre Royal. Stuff reviewer James Croot called the result "kinetic, interesting and inspiring".
Chris Dudman is an award-winning filmmaker with credits in New Zealand and the UK. His short film Blackwater Summer was nominated for a Student Academy Award. Dudman has gone on to direct both documentary (New Zealand at War, The Day that Changed My Life, Zoo) and drama (Oscar Kightley police show Harry, short film Choice Night). Dudman also directs TV commercials, including the popular Pukeko ads for Genesis Energy.
Campbell Live launched on 21 March 2005, in a slot following TV3’s primetime news bulletin. Over the next decade it gathered acclaim, awards (including Best News Investigation in its first year) and the odd controversy. Strongly identified with host John Campbell, the show mixed softer stories with a number of pieces of advocacy journalism, including stories on child poverty in low decile schools, and homeowners affected by the Christchurch quakes. News of Campbell Live’s end in 2015 won extensive media coverage, and an unsuccessful petition to keep the show on air.
On 19 November 2010, the first of a number of explosions occured at the Pike River coal mine. Twenty-nine men were trapped in the tunnel. Nominated for Best Documentary at the 2017 NZ TV Awards, The Women of Pike River explored the lives of six of those left behind, who were wives and mothers of the miners. The disaster was NZ's worst single loss of life since the 1979 Erebus crash — until the 2011 Christchurch quake four months later. Despite assurances survivors would be rescued and the dead retrieved, new owners Solid Energy said the mine was too dangerous to re-enter.
Chimney Book takes rubble from the Christchurch earthquake, and turns it into the building blocks of a film exploring life in the quake zone. Christchurch musician Blair Parkes took bricks from his chimney — destroyed in the 22 February 2011 aftershocks — painted a letter or symbol on each, then scanned them into his computer. Sound and word form the spine of the result, which is part diary, part experimental film. Parkes explores his experiences of living in Christchurch since the quake through words like 'dust', 'memory', 'place', and a question: 'is it over?'
This series of 25 half-hour documentaries for TV One explored diversity in New Zealand and beyond, including across ethnicity, gender and religion. Among the locations are quake-ravaged Christchurch, New Plymouth's Womad festival, a firefighters’ contest in Australia and slums in Manila. Subjects include a Malaysian-born plastic surgeon, Wellington 'Supergrans' helping council tenants, a prison choir, a Burmese expatriate awaiting heart surgery and a Sudanese artist. Three production companies contributed episodes: Pacific Screen, Melting Pot, and Paua Productions.