Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This Army recruiting film was made while New Zealand was still involved in the Vietnam War. While its emphasis is on the various trades, such as carpentry, engineering and radio operation, which can be learned in the army, it doesn't shy away from the purely military aspects. Soldiers are trained in unarmed combat, parachuting and jungle warfare. Exercises at the Waiouru Army Camp involving armoured support are also featured. Women are included, but in 1966 they fulfil roles in signals and nursing to free up men for combat duties.
“We’ve chosen someone Hollywood would call an action hero” says Hilary Barry, as she introduces this TV item recalling Kiwi experiences in World War I. The subject is decorated flying ace Keith Caldwell, who left for England in 1916 to join the RAF with only eight hours training (which he’d paid for himself). He became one of the most successful pilots on the Western Front, leading ‘Tiger Squadron’. The short, which screened during 3 News, recounts the dogfights and close escapes that Caldwell negotiated with “splendid skill and fearlessness”.
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.
'Bold as Brass', from the third Split Enz album Dizrythmia, finds the band moving on from the departure of founder member Phil Judd (replaced by a teenaged Neil Finn) and leaving behind their earlier, more complex art rock. This punchy, melodic Tim Finn/Rob Gillies composition is part off-kilter dance number, part call to arms. The video (directed by Gillies and Noel Crombie) matches the song's directness with sharp black suits and Tim Finn's combative approach to the camera — while allowing a nod to the band’s more theatrical past.
Shot down on just his second bombing raid over Germany, James McQueen describes life as a prisoner of war in this interview. Then 93 years old, Invercargill-born McQueen recalls bailing out from a burning Wellington bomber and eventually falling into German hands. After interrogation by the Gestapo he was sent to a p.o.w. camp, where he stayed for two and a half years. McQueen describes life there, his release and the psychological impact of his experiences, including the feeling of failure prompted by his brief time in combat. McQueen passed away on 15 December 2015.
In this documentary, artist Helen Pollock discusses her sculpture Falls the Shadow. Using clay from the Coromandel and the Passchendaele (Netherlands) battlefield, she created a grove of arms reaching up against a background of trees stripped bare by gunfire in World War I. The work was inspired by her father, a wartime signaller. Pollock discusses her installation and the effect of combat on New Zealand troops in the war (846 Kiwis died in two hours during the 1917 battle of Passchendaele). The work is now on permanent display at Passchendaele Memorial Museum.
Like many young New Zealand males during the late 1960s, Wayne Chester joined the army and headed overseas to fight in Vietnam. As a machine gunner he patrolled the jungles outside of Saigon and saw combat, facing the Viet Cong on several occasions. He recounts his experiences in the jungle, along with some close encounters with wildlife, and the altercations and laughs shared with the American contingent. He also discusses his admiration for the Vietnamese people and the Viet Cong, and the long-term physical and political effects of agent orange.
Like many of his generation in the United Kingdom, Ray Green was called up for National Service. But it wasn’t until he and his mates were almost on the troopship heading to Korea in 1951, that they realised they were going to fight. Green’s Welsh regiment spent a full year in the combat zone. Danger was ever-present as they patrolled on pitch black nights with the enemy just two thousand metres away, or over the next hill. As he recounts in this interview, Green escaped death or injury on several occasions. He relives it every night, but says it was an adventure he wouldn’t have missed.