For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.

Billy Taitoko James is a Kiwi entertainment legend. His iconic ‘bro’ giggle was infectious and his gags universally beloved. This collection celebrates his screen legacy, life and inimitable brand of comedy: from the skits (Te News, Turangi Vice), to the show-stealing cameos (The Tainuia Kid), and the stories behind the yellow towel and black singlet.

November 2019 marks 30 years since New Zealand television’s third channel first went to air. As this collection makes clear, the channel has highlighted a wide range of local content, from genre-stretching drama (Outrageous Fortune, The Almighty Johnsons) to upstart news shows (Nightline), youth programming (Ice TV, Being Eve) and many landmarks of Kiwi screen comedy (7 Days, bro’Town, Pulp Comedy). As the launch slogan said, "come home to the feeling!" In this background piece, Phil Wakefield ranges from across the years, from early days to awards triumph in 2019.  

Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Ranging 50 years between the earliest title and one of the most recent, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.

Pulp Comedy succeeded the talent quest A Bit After Ten as a TV outlet for stand-up comics. Its origins lay in Auckland's Comedyfest which was established to capitalise on the city's burgeoning early 90s stand-up scene. Showcases at the Powerstation led to a request from TV3 for a television series. Produced by Mandy Toogood and Simon Sinclair, it ran for eight years and provided national exposure for novices as well as leading lights like Mike King, Ewen Gilmour, Flight of the Conchords, Michele A'Court, Brendhan Lovegrove, Philip Patston and Cal Wilson.

Well-received comedy panel series 7 Days debuted on TV3 in 2009. The show takes an irreverent look at the past week in the news with such regular segments as “my kid could draw that” and “what’s the taxi driver talking about”. Jeremy Corbett hosts, and there are two teams of regular and guest comedians including Ben Hurley, Jeremy Elwood, Dai Henwood and Paul Ego. This episode’s special guests are Rhys Darby and Australian comedian Lindsay Webb, while Labour MP Darren Hughes features in “politician in the hot seat”.

Director, writer and actor Taika Cohen (aka Waititi) features in this episode of the stand-up comedy TV series with an off the wall performance as Gunter the German "joke" teller — a buck-toothed, bewigged persona pitched somewhere between Andy Kaufman and Sacha Baron Cohen. Fiona MacKinnon is in more conventional territory recounting her graduation and 21st, and musing about moving suburbs in Wellington. While Andrew Clay has tattoos and one night stands on his mind, and a concern that the early years of the 21st century are lacking in poetry.

Pete and Pio was a sketch comedy show based on the talents of its two leads, Peter Rowley and Pio Terei. Each episode opens with a stand-up double act performed to a studio audience and closes with a musical number led by Terei. The sketches mostly star Pete and Pio together, with a small supporting cast. This was Terei’s first lead television role, and was followed later by his own show Pio! which also aired on TV3. Rowley has had a long career in comedy, most notably his collaborations with Billy T James in the 1980s.  

This special episode of the TV stand-up comedy series showcases a newly blonde Cal Wilson and features guests Flight of the Conchords, who spoof small town tourism operators, take office supplies as metaphors for love to absurd lengths, and serve up some overly polite, self censored gangster rap. Wilson's other friends are her own creations. Katie the Chief Bridesmaid's contribution to nuptial disharmony invokes Rowan Atkinson's 'Father of the Bride Speech' by way of Lyn of Tawa, while her "sister" Adele is a painfully earnest feminist poet in a neckbrace.