It was the food safety advice that echoed across the globe. The late night footage of an Auckland policeman interrogating a suspected car thief on this long-running crime series seemed routine, until conversation shifted to the purchase of a pie at a local service station. The officer's deadpanned response came straight out of left field — and went viral (interestingly, only after a repeat screening of the show was posted online). The 'nek minnit' catchphrase of its day provided global news odd spot fodder, and inspired t-shirts, dubstep tracks and YouTube parodies.

Strange things are going down at the Bailey farm in this deadpan short film. A pile of mysterious crates requires some serious detective work: small-town cop Darryl Kitchen (Roy Snow from Go Girls), ably assisted by best mate Brian and a stash of sandwiches, is up for the challenge. Officer Kitchen's dedication to getting his catch includes a chase that could be used in police recruit videos. Serve and Protect won audience choice awards at both New Zealand's Show Me Shorts Film Festival, and Nevada's High Desert fest — among the 16 festivals it was invited to around the world.

Music video director Sam Peacocke's confronting first short film reimagines the events that took place around the robbery of a Manurewa liquor store in 2008, in which owner Navtej Singh was tragically murdered. The film takes a kaleidoscopic perspective on colliding South Auckland lives, notably in an — almost unbearably — tense hold-up scene. Largely shot with non-actors, the production was self-funded. The result was selected for the Melbourne and Berlin Film Festivals; at Berlin it won the Crystal Bear for best short in the Generation 14plus youth section.

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

In the 1950s thousands of Pacific Islanders came to Aotearoa to meet a labour shortage. They faced racism, and in the 1970s, notorious dawn raids by police. In 1971 a group of young gang members and students set up the Polynesian Panthers to stand up for the rights of the Pasifika community. They ran food co-ops, homework centres, and lobbied for support services. In this Dan Salmon-directed documentary, presenter Nevak Rogers explores the inspirations, events (Bastion Point, Springbok Tour) and legacy of the movement co-founded by her uncle Will 'llolahia.

Kelsten, Quba, Danye and Bailey are in their mid teens, and are prime contenders for jail. This documentary follows their progress completing a seven week START ( Supporting Today's At Risk Teenagers) programme for young people who have already entered the criminal justice system. A hike into the beautiful and daunting Taranaki bush sees the group start to realise their potential. But for these mostly fatherless Māori teenagers changing ingrained behaviours will be a lifelong challenge. The START Taranaki team know this only too well. 

Aimed at teaching kids to stay safe and do the best for themselves and their communities, Bryan and Bobby offers a friendly face to the New Zealand Police. In this episode Senior Constable Bryan Ward talks to Bobby, his talking pup partner, about the importance of serial numbers and keeping a record of them. With jokes a plenty, often about Bobby’s insatiable appetite, the show keeps things friendly and accessible. Bryan and Bobby have toured schools to promote the SNAP programme, which allows details of assets to be stored online. Children's TV veteran Suzy Cato produces.

Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.

Director Dave Gibson heads to Wellington's red light district on Vivian Street to interview strippers and prostitutes for this TV One documentary. Night workers ply their trade on the busy street, and inside late night venues like Tiffany's strip club. The nearby Evergreen cafe is also used as a drop-in centre by the city's gay community. Prostitute Kayla talks about AIDS reducing client numbers, while stripper Crystal Lee is nervous before her first dance. Police mention an improved relationship with prostitutes; Tiffany's owner Brian Le Gros claims men visit his club for fun not nudity.

Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on family violence and the work done by Auckland-based organisation Shine to help those affected. Using actors, it explores the personal experiences of women in abusive relationships and the services Shine provides. They include helping women leave such relationships, child advocacy and helping women improve security so they feel safer at home.