"I like to pull rabbits out of hats to surprise people". So said young director David Blyth, before unleashing Angel Mine. Inspired partly by the surrealism of Luis Buñuel, Blyth's inventive debut is one of a handful of Kiwi experimental feature films to win mainstream release. Featuring a whitebread suburban couple and their liberated alter egos, the film explores ideas of consumerism, sexuality, the media, and taboo-breaking. The film excited criticism from Patricia Bartlett, and a notorious addition to its R18 certificate: "contains punk cult material."
This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
This is the Christmas episode of comedian Te Radar's green living series. In this excerpt, he prepares lunch for 17 family members, using only food he has hunted or grown himself. The turkey shoot (with a little help from his long suffering neighbour) reveals him to be a better shot than a spotter. Then it's on to preparations for lunch, which include removing "organic matter" from the dining area. His young nephews and nieces are given a glimpse of the wonder of new life, but are not spared the harsh realities of just where lunch is coming from.
In this Jam TV series, comedian Te Radar ditches 21st Century consumer luxuries and the city rat race to see if he can live sustainably for 10 months on a remote patch of land west of Auckland. His back-to-basics mission requires him to exist on only what he can hunt, grow and fish himself — putting delights like goat salami and home-made feta on the menu. He also explores topical green issues like the viability of solar power and whether simple steps such as composting and starting a worm bin can reduce landfill. The series also bred a book and a live show.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.