Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
In 1995 Flying Nun released compilation CD Abbasalutely, made up of ABBA covers from their stable of artists. Headless Chickens contributed with this decidedly heavy cover of 'Super Trouper', ABBA’s ninth and final UK chart topper. The monochrome music video for the remake takes place at the RNZAF Base at Whenuapai, with the Chickens adopting many precarious positions on top of aircraft. It was directed by Jonathan Ogilvie, who helmed numerous Flying Nun music videos. The song's title was inspired by a popular concert spotlight.
The first New Zealand final of The X Factor features emotional highs and lows, and judge's compliments aplenty. Three young singers made it through in 2013: Whenua Patuwai, Jackie Thomas and Benny Tipene. All would achieve NZ top three singles within weeks of the final. Among the highlights of the 95 minute special: Tipene's acoustic version of 'Hey Ya!', Patuwai's 'A Change is Gonna Come' and Thomas's emotional last number — not to mention the showstopping opening: Daft Punk's 'Get Lucky', featuring 13 finalists, an acrobat, and two dancers wearing mirrorball heads.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Singer/songwriter Sharon O'Neill began singing folk songs in her native Nelson. After singing cover versions on music show Ready to Roll, she began winning attention for her ballads and pop songs. Her singles 'Asian Paradise', 'Maybe' and 'Maxine' were are all included in APRA's list of Top New Zealand Songs. O'Neill also composed the score for classic 1981 Bruno Lawrence drama Smash Palace. With a blonde-shag hairdo and trademark shark tooth earring, she became an Australasian sex symbol, and an early example of 1980s girl power; years later, her look would influence Outrageous Fortune's Cheryl West.
Taken from hit music show C’mon, this short clip has Mr Lee Grant performing his first number one hit ‘Opportunity’. After leaping to attention — and suffering an awkward landing — he recovers quickly to offer a jaunty performance on a psychedelic set, complete with American flag motif. The song (a cover version) charted in May 1967, helping cement Mr Lee Grant’s position as one of the country's premier pop stars. He would top the local charts twice more — and come close another time — before leaving New Zealand in March 1968, in an attempt to conquer the United Kingdom.
Sitting in the Rain is a New Zealand pop landmark. One of the earliest music promo clips, filmed for television in 1967 by the NZBC, it is a cover version by a local band that became better known than the original (by UK blues stalwart John Mayall). The Underdogs were a powerful electric blues combo, but with 'Sitting in the Rain' they knew that less is more; the film clip, used to fill TV scheduling gaps, is similarly unfussy. Like a surly, underground Monkees, the anarchic Underdogs don't hide the fact that the performance is mimed.
Sharon O'Neill performs her first single 'Luck's on Your Table' on this television clip from 1978. O'Neill's composition was the one that won over the New Zealand arm of CBS Records, who signed her as their first local act the same year. By the time O'Neill appeared on this Ready to Roll awards special, she'd already gained experience before the television cameras, miming cover versions of overseas hits for Ready to Roll. This time O'Neill performs amidst assembled plants at Avalon TV studios, with a flower in her hair. O'Neill's debut album This Heart This Song emerged the following year.