Each episode of this kids horror series features three ‘curse busting’ stories. In this first episode, student Jack Williams traces the curse back to creepy Charles Killian’s fondness for satanic rituals. Killian dies a fiery death and damns Room 21’s future students. Despite grave warnings, the new principal unlocks the classroom — and the curse awakens. In the second story it’s studious Celia’s turn to contain and destroy a ‘body jumping’ spirit before it claims her soul; the last tale pits Johnny against a fat-hungry warlock who comes a ‘splatter-tastic’ cropper. A second season followed in 2008.
Freaky creator Thomas Robins’ second horror anthology for kids makes use of a sophisticated story structure. Years ago Room 21 at Killian High was cursed by its satanic school founder. A new principal dismisses warnings and opens the space, unleashing the curse onto new students. Each episode is split into three parts as three students battle demons. The number 21 plays an important role; the 21 students of Room 21 must overcome an eclectic range of demons or else the evil Killian claims their souls ‘forever’. A second season followed in 2008.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
Matt Heath and Chris Strapp dragged their characters from bogan TV series Back of the Y to the big screen for this movie, which follows Randy Cambell's rocket car driven mission to be "New Zealand’s greatest living stuntman". Gross and petrol-fuelled mayhem ensues, as Cambell romances a one-legged female Evil Knievel and fights a family curse. Scott Weinberg (Cinematical) praised this "cross between The Road Warrior, Mad Magazine and Jackass" as "loud, raucous and adorably stupid" when it premiered at US festival South by Southwest in 2007.
This much praised documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua “made the city of God on Earth”.
Based on a classic novel by Margaret Mahy, The Haunting of Barney Palmer is a fantasy about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The TV movie was a co-production between PBS (United States) and Wellington's Gibson Group. American actor Ned Beatty (Deliverance, Network) was part of the cast. Mahy based it on her Carnegie Award-winning novel The Haunting; it marked an early fruitful collaboration between her and director Yvonne Mackay.
Faye Rogers claims to have a unique ability — to converse with animals. In this quirky short documentary Rogers shares her talent and introduces some of her favourite animals, including her donkey Thistle, who has a penchant for swearing and watching crime shows. It’s not just her own pets she can talk to either: while filming she takes a Skype call from an American client whose kitten Finn has gone missing. It's up to Faye to convince Finn to come out of hiding. The film was made as part of the 2015 series of Loading Docs, a collection of short films made for viewing online.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.