Branded as a musical genius by his peers, Darcy Clay's flame flared briefly, but left a lasting impression on New Zealand music. Clay (aka Daniel Bolton) recorded the now classic single 'Jesus I Was Evil' in his bedroom on a four-track tape machine, just months before his untimely death. The Auckland singer-songwriter only played five gigs during that time, including a support slot for Blur (released as live EP Songs for Beethoven). But his pioneering talent and "country-fried punk rock" are testament to the cult-like figure he's now become. Clay committed suicide in March 1998, at age 25.
This raw and rowdy video gives a fleeting insight into the all-too-short life of Darcy Clay. Recorded on a primitive four-track tape machine, 'Jesus I Was Evil' was a demented fusion of country and garage rock that, combined with Clay's fetching Evel Knievel-style onesies, heralded the arrival of an eccentric new voice. Darcy's school friend David Gunson agreed to shoot the video for a few hundred dollars and a bottle of whisky — editor Ian Bennett ended up getting the whisky. The wry humour and energy captured in the video stands as a fitting testament to his subject.
Irreverent 90s youth show Havoc launched the TV careers of hosts Mikey Havoc and Jeremy ‘Newsboy’ Wells (the pair worked together at radio station 95bFM). This first episode played on MTV (then run by TVNZ). Guests are Shortland Street actor Angela Bloomfield, Metro editor Bill Ralston and musician Darcy Clay. Amongst pop culture montages, videos and archive (future MP Lockwood Smith hosts kids’ knowledge test The W Three Show), Newsboy meets Hustler magazine centrefold Kimberly. The show is date-stamped by Spice Girls, drum’n’bass, Sodastream and Wells’ gelled hair.
A special tribute to 20 years of TV3's late night news show Nightline — including interviews with most of its regular newsreaders and major contributors of the previous two decades. Belinda Todd pops up in Los Angeles via satellite link and Darren McDonald is "door-stepped" at home while the others celebrate in a Ponsonby Road bar. There's a tribute to the late Dylan Taite; and other packages are devoted to Belinda Todd's more notorious antics, Bill Ralston's gonzo approach to politics, the show's arts coverage and its on-going love affair with nudity.
David Gunson has dozens of screen credits in a role that requires both vision, and anonymity: as a storyboard artist, who draws pictures of key shots as a guide for the filmmaking team. Gunson’s own credits as a short filmmaker often touch on war: from ANZAC Short Film award-winner Boots, to the self-funded, Tropfest-nominated Foreign Fields. Gunson has also helmed music clips for Darcy Clay and Hayley Westenra.