David McPhail's television resume is that of a genuine stayer. Working with Jon Gadsby, his longtime comic partner in crime, McPhail co-starred — and famously impersonated Sir Rob Muldoon — in landmark sketch shows A Week of It and McPhail and Gadsby. Later he helped create the Barry Crump-style yarns of Letter to Blanchy, and was the no-nonsense teacher in the acclaimed Seven Periods with Mr Gormsby.
To mark 50 years of television in Aotearoa, TVNZ's Heartland channel picked gems from the archive, and surveyed local TV history decade by decade. Each episode in the series featured an interview with a Kiwi TV personality. In this interview from the 1980s slot, comedian David McPhail chats to Andrew Shaw. McPhail describes his involvement in what Shaw calls the "golden age of comedy" (A Week of It, McPhail and Gadsby). He touches on current affairs, screen chemistry, his famous impersonations of Prime Minister Rob Muldoon, and the catchphrase "Jeez Wayne".
Comedy legend David McPhail made Kiwis laugh with pioneering sketch show A Week of It.
Comedy legend David McPhail began making New Zealanders laugh in pioneering 1970s sketch show A Week of It, then he and Jon Gadsby moved on to McPhail and Gadsby. The two comedians also had big parts to play in sitcom Letter to Blanchy. Later McPhail starred as the appallingly politically incorrect teacher in Seven Periods with Mr Gormsby.
November 2014 marks 25 years since New Zealand TV’s third channel began broadcasting. This 25th birthday sampler pack looks back at iconic drama (Outrageous Fortune), upstart news shows (Nightline), fresh youth programming (Ice TV, Being Eve) and comedy high watermarks (bro’Town, Jaquie Brown, 7 Days). As the launch slogan said "come home to the feeling!"
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lyn of Tawa.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This 1995 documentary about New Zealand humour features classic TV comedy moments from Fred Dagg, Barry Crump, A Week of It, McPhail and Gadsby, Letter to Blanchy, Billy T James, Pete and Pio, the Topp Twins, Gliding On, Lyn of Tawa and Funny Business. Tom Scott, John Clarke, David McPhail and Jon Gadsby talk about the nature of New Zealand satire; Pio Terei, Peter Rowley, and Billy T James producer Tom Parkinson discuss the pros and cons of race-based humour; and the Topp Twins explain the art of sending people up rather than putting them down.