Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small. 

This July 1977 Seven Days report tunes in to Radio 1XX Whakatāne, NZ’s then-smallest private radio station. Coastline Radio has been giving the Eastern Bay of Plenty its own MOR voice for six years. Seven Days reveals tensions between DJs in cut-throat jousting for spots. On-trial Breakfast DJ John Adeane describes his job as “personality projection” as he chugs on a Camel and rouses “the country giant”. He warns of the danger of being “an attractive proposition to the girls in town”, and describes behind the scenes activities during the religious programming.

"Kevin has a strict daily routine, part of which is about to be taken away — throwing his life into turmoil." The Kevin in question is Solid Gold FM DJ Kevin Black, and the essential part of his everyday routine being removed is … sleep. This second episode of the 2001 Touchdown reality series — in which varied participants deal with deprivation — sees ’Blackie' slowly but surely disintegrating over 70 sleepless hours. Despite caffeine, gym and jigsaws, his performance at memory game Simon suffers, he faces hallucinations, and the delirious results are heard over the airwaves.

This Weekend item from 1986 meets the team behind Radio New Zealand’s flagship show Morning Report, from hosts Geoff Robinson and Maggie Barry, to reporters and programmers. Robinson — who would host or co-host Morning Report for 35 years  — talks about listener loyalty, the intimacy of radio, and rejecting BBC style delivery. Meanwhile co-host Maggie Barry — at 26, the show’s youngest host and its first woman presenter — reflects on the importance of being a morning person. Barry would later host a popular garden TV show, and became a National Party MP in 2011.

Nice One was an after-school programme on TV ONE, whose host Stu Dennison became a cult hit with his ‘Nice one Stu-y!’ character and sign-off. Here Radio Windy DJ Dave Mahoney sits down for an interview, inbetween slots working the mic. He talks about how he got into announcing, differences between a drive time and breakfast host, and being set on fire while reading the news. Mahoney chugs away on a ciggie (smoking on a kids’ show? It must be the 70s). It’s a high of 11 degrees in Wellington, and Al Stewart is on the turntable singing ‘Year of the Cat’.

This NZ TV award-nominated documentary tells the story of radio station Mai FM. Founded in 1992 by Auckland iwi Ngāti Whātua, its mix of hip hop, r’n’b and te reo soon won ratings success. Original breakfast host Robert Rakete recalls early days when the station was a CD player hooked up to an aerial, while Mai FM's champions argue the station has executed its kaupapa: promoting Māori language and culture to the youth of Auckland, including the breakout phrase, “it’s cool to kōrero!” The introduction by Tainui Stephens was done for Māori TV's doco slot He Raranga Kōrero.  

This docudrama recreates the story of Radio Hauraki: a bunch of rebel DJs whose cause was bringing rock’n’roll to the radios of 60s NZ youth. Their fight for the right to broadcast involved a pirate vessel in the Hauraki Gulf. Director Charlie Haskell films the recreations from the point of view of late DJ Rick Grant, and cuts them together with interviews with the protagonists, animation and Hard Day’s Night-style japes. Based on Adrian Blackburn's book Radio Pirates, the telefilm debuted on TV One on 27 July 2014. It was nominated for a Moa Award for Best TV Feature.