Goodshirt's attention-grabbing promos were typified by high concepts rendered with low-budget No 8 wire smarts — often with game participation from the band members. This mind-bending creation by director (and ex-Supergroover) Joe Lonie is no exception: a Mazda 929 (or an Austin 1300, if you watch the video's other version) is re-deconstructed, before leaving in a cloud of smoke, loaded with frog men. Lead singer Rodney Fisher gives the standout performance. He had to sing every lyric backwards to achieve the desired time-warping end result.
Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
This long-running chat show gathered a loyal following for its recipe of sports fandom mixed with playful pratfalls. Regulars in the circus wrangled by producer Ric Salizzo included larrikin ex-All Black Marc Ellis, straight girl Lana Coc-Kroft, 'That Guy' Leigh Hart, and Graeme Hill. This 23 November 2005 final features plenty of sporting guest stars and ‘best of’ moments: from World Nude Day to a litany of laddish moments from Ellis. Rumours of presenter intoxication would only have been stirred by the mayhem of the closing set destruction, accompanied by band The Exponents.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
Gerard Smyth's acclaimed documentary about the Christchurch earthquakes is the story of people coping — for better or worse — with the huge physical and emotional toll that the quakes, and continuing aftershocks, inflicted on them, their homes and their city. It began as a home movie while the devastation of September was surveyed (with thanks given that no-one had been killed); but, as shooting of the recovery continued, the February quake compounded the destruction and claimed 182 lives (including their researcher and 16 colleagues at CTV).
On the evening after the Christchurch earthquake of 22 February 2011, Alexandra’s three person rural drink-drive squad was sent to the city to assist rescue efforts. They were accompanied by field director Pip Wallis, who had been filming them for TV2 series Highway Cops. Hers was the only media camera allowed behind the cordon in the devastated central city Red Zone during those first few days. This documentary intersperses news coverage with her footage as the Central Otago police confront unimagined destruction, ongoing aftershocks and the human face of the tragedy.
Christchurch-based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 — then the 2011 quake hit on 22 February. Their initial focus was the experiences of everyday people coping with the destruction of large tracts of their city, but that was compounded as 2011 brought significant injuries and major loss of life. Liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of interviewees were followed over a year, as they struggled to come to terms with their new normal.
As an eight-year-old, a postage stamp of the giant kauri Tāne Mahuta offered English TV presenter David Bellamy his first introduction to New Zealand. In this episode of Moa’s Ark, Bellamy attempts to hug the nearly 14 metre girth of the tree, and explores Aotearoa's ancient forests and the fight to save them from destruction — including campaigns to save Whirinaki and Puerora Forests, when protestors chained themselves to enormous totara to prevent their milling. The episode also features a extraterrestrial underwater forest, deep under Milford Sound.
In these excerpts from TV2's mid-90s late night news show, reporter Mark Staufer talks to Chic Littlewood about a TV career that has taken him from Chic Chat, his 1970s kids show (with puppets Nowsy and Willie McNabb) to playing policeman Laurie Brasch on Shortland Street. Andrew Shaw, whose show followed Chic Chat, reveals a studio shortage at TVNZ at the time. Meanwhile Marcus Lush goes behind the scenes at a luxury Auckland hotel, only to discover a notable lack of TV set destruction from its rock star clientele. Perhaps they were too busy with the telescopes.
In 2012 a number of state houses were relocated from Glen Innes in Auckland to Kaitaia, making way for property developers. A Place to Call Home follows two women at odds with each other, both railing for positive change. Betty Kanuta is an evicted tenant, leading protests against the destruction of her community. Fleur Palmer is purchasing some of the state houses to build a Māori housing development, to help poor families in Kaitaia. Director Briar March's documentary debuted on Māori Television in 2014 as Whare Tapa Whā, before being expanded into a feature-length cut.