Goodshirt's attention-grabbing promos were typified by high concepts rendered with low-budget No 8 wire smarts — often with game participation from the band members. This mind-bending creation by director (and ex-Supergroover) Joe Lonie is no exception: a Mazda 929 (or an Austin 1300, if you watch the video's other version) is re-deconstructed, before leaving in a cloud of smoke, loaded with frog men. Lead singer Rodney Fisher gives the standout performance. He had to sing every lyric backwards to achieve the desired time-warping end result.
Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
This performance by Hello Sailor was recorded by TVNZ in Christchurch, at the Civic Theatre in Manchester Street. Singer Graham Brazier (who passed away in September 2015) is said to have written the classic song about love, destruction and hurt in 15 minutes. It was a last minute addition to the band’s debut album (and their second Top 20 single of 1977, reaching number 13). 'Blue Lady' was later considered as a possible theme song for an Australian police show. It would have been a strange choice: this Blue Lady came from the wrong side of the tracks. It was junkie slang for a hypodermic syringe.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
On the evening after the Christchurch earthquake of 22 February 2011, Alexandra’s three person rural drink-drive squad was sent to the city to assist rescue efforts. They were accompanied by field director Pip Wallis, who had been filming them for TV2 series Highway Cops. Hers was the only media camera allowed behind the cordon in the devastated central city Red Zone during those first few days. This documentary intersperses news coverage with her footage as the Central Otago police confront unimagined destruction, ongoing aftershocks and the human face of the tragedy.
Christchurch based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 but found themselves overtaken by the tragic events of 22 February 22. Their focus is the experiences of everyday people coping with the destruction of large tracts of their city, significant injuries and major loss of life as liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of the interviewees were followed over a year, as they struggled to come to terms with what had happened and move on.
This long-running chat show gathered a loyal following for its recipe of sports fandom mixed with playful pratfalls. Regulars in the circus wrangled by producer Ric Salizzo included larrikin ex-All Black Marc Ellis, straight girl Lana Coc-Kroft, 'That Guy' Leigh Hart, and Graeme Hill. This 23 November 2005 final features plenty of sporting guest stars and ‘best of’ moments: from World Nude Day to a litany of laddish moments from Ellis. Rumours of presenter intoxication would only have been stirred by the mayhem of the closing set destruction, accompanied by band The Exponents.
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jaquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
In 2012 a number of state houses were relocated from Glen Innes in Auckland to Kaitaia, making way for property developers. A Place to Call Home follows two women at odds with each other, both railing for positive change. Betty Kanuta is an evicted tenant, leading protests against the destruction of her community. Fleur Palmer is purchasing some of the state houses to build a Māori housing development, to help poor families in Kaitaia. Director Briar March's documentary debuted on Māori Television in 2014 as Whare Tapa Whā, before being expanded into a feature-length cut.