In this leg of The Big Art Trip, hosts Fiona McDonald and Douglas Lloyd-Jenkins drive through Hawke’s Bay and catch up with artist Dick Frizzell to discuss landscape painting and his Phantom comic series. Then they’re off to Napier to meet musician Paul McLaney and his co-producer David Holmes, who explain their song production techniques. Painter and ceramic artist Martin Poppelwell shares his art, Douglas describes art deco and modernist architecture and they head south to nearby Waipawa to meet potter Helen Mason and painter Gary Waldrom.
Film director Roger Donaldson and motor racing legend Steve Millen both began making their mark in New Zealand, before making the move to California. The first Coming Home episode sees them at work in the USA, and visiting old haunts in Aotearoa. Donaldson shoots the effects-heavy Dante's Peak and prepares $100 million thriller Thirteen Days, while Millen hits the race track, in-between running his custom car parts company. Later he returns to the farm near Auckland, where his need for speed began on the family tractor. Donaldson heads to Auckland and Queenstown.
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
This series sees Kiwi artists creating a new work while the cameras are rolling, in collaboration with a community that they have a personal connection with. Hosted by musician and artist Chris Knox, the series was produced by Gemma Gracewood and Neil Stichbury, from a concept by Luke Nola. Two seasons were produced for channels TVNZ 6 (2008) and TVNZ 7 (2009). Season one was nominated for Best Format/Reality Series at the 2008 Qantas Film and TV Awards. The artists included Lisa Reihana, Michel Tuffery, Phil Dadson, Karl Maughan and Seung Yul Oh.
Irrepressible duo MC OJ (Otis Frizzell) and the Rhythm Slave (Mark Williams) emerged as teenagers in the first wave of Kiwi hip hop. In the early 1990s they released album What Can We Say? and a series of singles for Murray Cammick's Southside label. After a brief spell in quartet Joint Force, the pair turned their attentions to televison to front the hip hop influenced Mo'Show. Frizzell (son of artist Dick Frizzell) is a prominent graffiti artist and tattooist to the stars, including Robbie Williams; Williams directed the award-winning music video for 'The Catch' by Fat Freddy's Drop, and often performs with the band live.
The writing and drawing of comic books has remained a little-known and under-rated area of New Zealand culture. Director Shirley Horrocks reveals it as a highly creative subculture with a rich local history. Eric Resetar, the grand old man of local comics, discusses the moral panic brought on by comics in the 1940s and 1950s; and other artists of the genre, such as Barry Linton, Dick Frizzell, Coco and Dylan (Hicksville) Horrocks, explore the wide variety of stories that have been drawn, framed and speech-ballooned since then.
This thoughtful but humorous documentary offers a wry tribute to sheep in New Zealand. Interviews with Chris Knox, Dog's Show presenter John Gordon, Dick Frizzell and Michael Parekowhai (among others) pull the wool away from our collective eyes, and examine Aotearoa's much ridiculed relationship with sheep. Artists' images, souvenirs, pets, and shows for tourists all feature, as do songs and plays. The documentary also examines the foundational role of sheep in the country's economy. This was one of the first productions from company Greenstone Pictures.
“Quardle oodle ardle wardle doodle”. Denis Glover’s classic poem The Magpies has inspired plays, art by Dick Frizzell, spats about onomatopoeia, and this 1974 short film, produced by publisher Alister Taylor. It centres around Glover musing on Magpies in his smoky Terrace flat in Wellington, during an interview with Glover’s son Rupert. Bookending the interview are two readings of the poem by director Martyn Sanderson. Sanderson’s memorable voice scores scenes of rural decay, and animation interpreting the tragedy of Tom and Elizabeth (the farming couple whose dreams go bad).
Renaissance man Fane Flaws has done it all. Since boarding the legendary magic bus of travelling band Blerta in the early 1970s, he has been a musician, graphic designer and artist — not to forget directing a long run of award-winning music videos and commercials, and launching bestselling multimedia project The Underwater Melon Man.