This National Film Unit production was made to celebrate the golden jubilee of the Plunket Society. Plunket — aka ‘Karitane’ — nursing is a New Zealand system of ante-natal and post-natal care for mothers and infants, founded by Sir Truby King: “the man who saved the babies”. Featuring original nurse Joanne MacKinnon, the film follows Plunket from a time of high infant mortality to providing contemporary nursing to a New Zealand flush with postwar optimism: “a family country, where children grow happily in the fresh air and sunshine.”
Donna Malane, who runs company Lippy Pictures with writer Paula Boock, is an award-winning producer and screenwriter. She has written a wide variety of television including drama, fantasy, children’s drama, sketch comedy and documentary. Malane is also the author of a number of books, including acclaimed crime novel Surrender.
Faifua Amiga won acclaim with Kingpin - his first film role - at the age of 14. Four years later, he took centre stage in the Samoan feature film Flying Fox in a Freedom Tree.
Paula Boock — who runs production company Lippy Pictures with Donna Malane — has won awards both for her scripts and her novels for young adults. Boock’s screenwriting resume includes The Strip, innovative drama The Insiders Guide to Happiness, plus award-winning tele-movies Jean, Bloodlines and Until Proven Innocent.
Impressed by untapped Polynesian talent, Levin-based filmmaker collaborated on a trio of pioneering films that put young Polynesians and Māori centre-frame: Kingi's Story, Kingpin, and award-winning telemovie Mark II. Walker passed away in late 2004.
Mitchell Manuel burst onto the small screen in Mike Walker's 1981 bros-in-borstal drama Kingi's Story, playing the title role of a petty thief. Manuel followed it with acting and writing credits for acclaimed feature Kingpin (1985) and tele-movie Mark II (1986) — for which he won critical praise, and a best acting award.
Ian Cross trained as a journalist. His 1957 novel The God Boy has been hailed as a classic (and similar status afforded to the 1976 television adaptation). As Listener editor he doubled its circulation and reinvigorated its writing staff. As broadcasting chair and chief executive he had a turbulent relationship with the Muldoon government - and failed to stem what he saw as the over-commercialisation of television.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
Anzac Wallace made one of the most memorable debuts in New Zealand cinema when he starred as avenging guerilla leader Te Wheke in classic Māori Western Utu. The former trade union delegate followed it with movies The Silent One (1984) and Mauri (1988) and pioneering Māori TV series E Tipu E Rea. He passed away on 8 April 2019.