After time in post-punk trio Blam Blam Blam, the unclassifiable The Front Lawn and percussion group From Scratch, Don McGlashan released four studio albums during a decade long run with The Mutton Birds. In the early 2000s he launched his solo career. New songs were performed during Auckland festival AKO3, and McGlashan's first solo album Warm Hand finally emerged in 2006. Follow-up Marvellous Year (2009) — credited to Don McGlashan and the Seven Sisters — featured McGlashan's version of his hit 'Bathe in the River'. For Lucky Stars (2015), he largely abandoned his habit of portraying other characters.
Don McGlashan showed his screen talents early, as one half of offbeat multimedia group The Front Lawn. Since then he has composed for film and television, alongside his own music. His score for Jane Campion's An Angel at My Table won acclaim; his screen awards include film No. 2 — which spawned number two hit 'Bathe in the River' — Katherine Mansfield tale Bliss, and TV series Street Legal.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
In this episode of Talk Talk musician Don McGlashan discusses politics, growing up and the art of communicating emotions and ideas, with journalist Finlay MacDonald. The Talk Talk host starts by asking McGlashan to explain how he managed to offend Kiwi seafood lovers across the country with a political analogy during the 2008 general election. Then the pair explore McGlashan's early inspirations and musical development. McGlashan finishes with a live rendition of his 2009 single 'Marvellous Year', complete with accordian, theremin and strings.
Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.
Don McGlashan is one of New Zealand's foremost singer/songwriters. He was a member of Blam Blam Blam and The Mutton Birds before going solo. While he was in acclaimed musical theatre act The Front Lawn, McGlashan moved into the film world. His screen compositions include No 2, Matariki and Katherine Mansfield TV movie Bliss.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.