This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon become the most successful local release on its home soil (at least until the 2016 arrival of Waititi's Hunt for the Wilderpeople).

Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format = "marae knock out their 10 year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) in mid-winter of 2006, with series creator Nevak Rogers (aka Nevak Ilolahia) and presenter Te Ori Paki. Rogers has Rongowhakaata whakapapa, and is the cheerleader as her whānau rally to meet the mahi goals: from french doors for the kitchen to makeovers for the Nannies (including a moko by Derek Lardelli).

This NFU documentary looks at working lives of a crew of Wellington rubbish collectors aka 'the dusties'. With an insightful dustie narrating, the film follows the team on their rounds, beginning early morning with the seagulls at the depot. Then it's into the trucks and off to face occupational hazards: irate householders, sodden winter sacks, and notoriously steep hills. Our dustie muses on everything from health benefits and job perks (discarded beer, money and toasters!) to cleanliness. This classic observational film ends with a tribute folk song.  

When she made Mauri, Merata Mita became the first Māori woman to direct, write and produce a feature film. Mauri (meaning life force), is loosely set around a love triangle and explores cultural tensions, identity, and a changing way of life in a dwindling East Coast town. As with Barry Barclay's Ngati, Mauri played a key role in the burgeoning Māori screen industry; the production team numbered 33 Māori and 20 Pākehā, including interns from Hawkes Bay wānanga. NZ art icon Ralph Hotere helmed the production design; Māori activist Eva Rickard played kuia Kara.

Auckland reggae band Herbs could have released their new album in the comfortable confines of an Auckland nightclub. Instead, they chose to travel to Ruatoria — a troubled and divided East Coast town where turmoil surrounding a Rastafarian sect had resulted in assaults, kidnappings and firebombed churches. Lee Tamahori and John Day's documentary captures an emotional experience for band and locals as they meet at Mangahanea marae in an attempt to shift the focus from disunity to harmony. This footage also yielded the memorable Sensitive to a Smile music video.

Filmed over four years, This Way of Life documents the story of Hawkes Bay hunter and horse wrangler Peter Ottley-Karena, wife Colleen (Ngāti Maniapoto), and their six children. Intercut with Peter's articulate bush philosophy, it captures the family's romantic, dignified relationship to each other and to the natural world. Ever-present amongst the challenges their commitment to a 'simple life' faces is Peter's broken relationship with his step-father. Life received a special mention at the Berlin Film Festival; Variety called it "resonant and stunningly shot".

Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars in loco parentis outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second NZ short to gain an Oscar nod (Waititi infamously feigned sleep during the 2005 Academy Awards ceremony).

This episode of arts show Frontseat visits the inaugural edition of the Māori Film Festival in Wairoa, with Ramai Hayward and Merata Mita making star turns, alongside a tribute to teenage filmmaker Cameron Duncan. Elsewhere, Deborah Smith and Marti Friedlander korero about their She Said exhibition, and about photographing kids and staging reality; and Auckland’s St Matthew in the City showcases spiritual sculpture. A ‘where are they now’ piece catches up with Val Irwin, star of Ramai and Rudall Hayward's interracial romance To Love a Māori (1972). 

Host Bob Parker opens the book on the life of 81 year old George Nepia. Considered by many to be the greatest rugby fullback ever, Nepia was the star of the 1924 All Blacks, the legendary 'Invincibles'. At just 19, he played every one of their 32 games as the team went unbeaten through the British Isles. Helping celebrate Nepia's life are legendary rugby journalist TP McLean and two of NZ rugby's other stellar fullbacks, Don Clark and Bob Scott. The Invincibles' kiwi mascot makes a special appearance, and Nepia performs his hit song 'Under a Maori Moon'. Nepia died later that year.