Internationally successful Kiwi film producer Finola Dwyer began her career as an editor at the National Film Unit and then moved on to editing and producing at TVNZ. Dwyer migrated over to the film industry and worked as an editor and producer. Some of the memorable New Zealand films she worked on include Came a Hot Friday, Starlight Hotel, and The Quiet Earth. In the 90s, Dwyer moved to the UK where she has made a name for herself producing films such as Backbeat, An Education and Dean Spanley.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This 1950 documentary about early primary school education was made by pioneering female director Margaret Thomson, who rated it her favourite NZ work. The survey of contemporary educational theory examines the new order in 'infant schooling' (though some things never change, like tadpoles and tidy up time). It is broken into sections: ‘Play in the Infant School’, ‘Doing and Learning’, ‘Learning to Read’, ‘Number Work’ and ‘Living and Learning’. The National Film Unit doco was made for the Department of Education. Douglas Lilburn composed the score.
Reporter Neil Roberts ventures into South Auckland in this TVNZ doco and finds two rapidly growing but very different communities. Otara and Mangere are becoming NZ’s industrial powerhouse, but a huge influx of Māori and Pacific Island workers and their families are struggling to adapt in a brand new city that was farmland just decades earlier and lacks amenities for its new citizens. Meanwhile, to the east, Howick and Pakuranga are also booming but their more upwardly mobile, prosperous and very Pākehā citizens seem to be living in a world of their own.
Pioneering woman director Kathleen O’Brien looks at NZ Correspondence School education in this 25-minute National Film Unit short. Lessons are sent from the school’s Wellington base to far-flung outposts, for farm kids and sick kids, prisoners and immigrants, from Nuie to Northland. Letters, radio and an annual ‘residential college’ at Massey connect students and teachers. In a newspaper report of the time, O’Brien remembering being stranded at Cape Brett lighthouse “for four days without a toothbrush and wearing only the clothes she stood up in”.
In this Talk Talk episode, Finlay Macdonald interviews one of his former teachers, All Blacks' coach Graham Henry. Forgoing discussing rugby intricacies such as the dark arts of scrummaging, the talk is about Henry's background in education and how it has influenced his coaching career. Filmed prior to World Cup 2011 glory, Henry muses on the pressure to win, dealing with stress, and high public/media expectation. Musical guest Dave Dobbyn performs 'Howling at the Moon' — chosen by Henry because "he sings 'Loyal'" — and explains his relationship with that song.
Teacher Mr Gormsby believes in brutal honesty - and that the education system has gone all namby-pamby. In desperation, a dysfunctional low-decile school employs him.director/co-creator Danny Mulheron was inspired partly by an old school teacher who wore a military beret, and has irreverent fun with the archaic antics of Mr Gormsby. The Dominion Post compared Gormsby to Fred Dagg and Lyn of Tawa; The Sydney Morning Herald found it "darkly funny". Running two seasons, it was nominated for Best Script and Best Comedy in the 2006 NZ Screen Awards.