Internationally successful Kiwi film producer Finola Dwyer began her career as an editor at the National Film Unit and then moved on to editing and producing at TVNZ. Dwyer migrated over to the film industry and worked as an editor and producer. Some of the memorable New Zealand films she worked on include Came a Hot Friday, Starlight Hotel, and The Quiet Earth. In the 90s, Dwyer moved to the UK where she has made a name for herself producing films such as Backbeat, An Education and Dean Spanley.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This 1950 documentary about early primary school education was made by pioneering female director Margaret Thomson, who rated it her favourite NZ work. The survey of contemporary educational theory examines the new order in 'infant schooling' (though some things never change, like tadpoles and tidy up time). It is broken into sections: ‘Play in the Infant School’, ‘Doing and Learning’, ‘Learning to Read’, ‘Number Work’ and ‘Living and Learning’. The National Film Unit doco was made for the Department of Education. Douglas Lilburn composed the score.
Reporter Neil Roberts ventures into South Auckland in this TVNZ documentary, and finds two rapidly growing but very different communities. Otara and Mangere are becoming New Zealand’s industrial powerhouse, but a huge influx of Māori and Pacific Island workers and their families are struggling to adapt in a brand new city that was farmland just decades earlier, and lacks amenities for its new citizens. Meanwhile, to the east, Howick and Pakuranga are also booming but their more upwardly mobile, prosperous and very Pākehā citizens seem to be living in a world of their own.
Pioneering woman director Kathleen O’Brien looks at NZ Correspondence School education in this 25-minute National Film Unit short. Lessons are sent from the school’s Wellington base to far-flung outposts, for farm kids and sick kids, prisoners and immigrants, from Nuie to Northland. Letters, radio and an annual ‘residential college’ at Massey connect students and teachers. In a newspaper report of the time, O’Brien remembering being stranded at Cape Brett lighthouse “for four days without a toothbrush and wearing only the clothes she stood up in”.
This documentary looks at the new right ideology that transformed public education in the 80s and 90s and the schism it caused with teachers. Interviews with parents, teachers and unionists are cut together with archive footage of treasury officials and politicians advocating that schools be run as businesses. There are vexed board of trustees' meetings, an infamous deal between Avondale College and Pepsi, and teachers take their opposition from the classroom to the streets. The film is the third in Alister Barry's series critical of neo-liberal reform in NZ.
The HeART of the Matter looks at major changes in New Zealand teaching which began after World War ll. A group of bureaucrats and arts specialists set about introducing a "thoroughly bicultural and arts-centred education system" to schools — in contrast to the rote learning of the past. Combining interviews and archival footage, Luit and Jan Bieringa (The Man in the Hat) examine this period of radical educational reform, and ask what lessons can be applied to the present. In the excerpts above, pupils and teachers reminisce about their time in the classroom.
Made for the Plunket Society by the NFU, A Baby on the Way uses a blackboard and various experts in front of an antenatal class to provide birth education for early 70s Kiwi parents-to-be. Plunket Medical Director Neil Begg lowers his pipe to introduce the lessons, and contemporary advice for ensuring a mother’s health during pregnancy is given by doctors, nurses, and physios. The scenes involving breast massage and analgesics may have induced titters in school-aged audiences, unlike the brief-but-gory concluding birth (set to piped organ music).