Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.
Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Outrageous Wellington rockers Head Like a Hole (aka HLAH) formed in 1990, taking their name from a Nine Inch Nails song. Masters of excess, they quickly made a name for themselves via unhinged live performances (not to mention a casual attitude to clothes on stage). Sharing management, a record label and one obscure recording with Shihad, HLAH split in 1998 after four albums, in a state of disarray. After reforming for the 2009 Homegrown festival, further releases followed. Swagger of Thieves, a documentary on the band, that was a decade in the making, premiered in July 2017.
The highlight of this instalment of the NFU’s weekly newsreels is a report on a motorcycle grand prix, held at Cust in Canterbury, where speeds in excess of 100mph were reached in the 152 mile race — with 1,000 gallons of sump oil sprayed on roads to prepare the racing surface. From the Wellington waterfront, there is coverage of the arrival of a delegation of Australian ex-servicemen to meet their NZ counterparts; and an emotional United Nations appeal asks viewers to donate one day’s pay, profits, work or produce to help the world’s needy children.
Series Ghost Hunt made dead of night visits to locales with a reputation for being haunted. The trio of presenters became paranormal investigators, trying to detect ghosts in iconic locations across New Zealand. In this excerpt, the crew visit St James Theatre in central Wellington, and discover a number of mysterious lights on their footage. The presenters are former What Now? host Carolyn Taylor, actor Michael Hallows, and team leader Brad Hills, who would go on to direct and star in 2015 romantic comedy Excess Baggage.
Award-winning series Revolution examined sweeping changes in 1980s New Zealand society. This second episode argues that in its first term in office, the Labour Government promoted neoliberal reform via illusory ideas of consensus and fairness, while PM David Lange mined goodwill from its indie anti-nuclear policy (famously in an Oxford Union debate, see third clip). The interviews include key figures in politics, the public service and business: an age of easy lending and yuppie excess is recalled, while those in rural areas recount the downside of job losses.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
This documentary confronts attitudes to alcohol consumption in NZ. Interviews with those who see major problems (including police, ambulance, youth workers, Family Planning and Women's Refuge) and those who don't (brewers, advertising agencies, sports groups and publicans) are interspersed with often-graphic footage of excessive alcohol use. The challenging depiction of the culture piqued Lion Breweries, who complained to the Broadcasting Standards Authority. The BSA rejected their assertion that the programme was salacious, but did agree it "lacked balance".
"Not many, if any ..." Aotearoa hip hop was turned on its head when Christchurch rapper Scribe burst onto the scene in 2003 with his debut single, 'Stand Up/Not Many'. It shot to number one and stayed there for an impressive 12 weeks, helping propel his first album The Crusader into the top position. Scribe became the first Kiwi artist to simultaneously have a number one single and a number one album. The Crusader has since sold in excess of five times platinum here and in Australia. An icon of homegrown hip hop, Scribe's second album, Rhymebook was released in 2007. Further singles have followed.