This Shihad classic has a classic video to match. With primary colours accentuated and the energy levels of Shihad turned up to match, the band members perform and bustle about in a film studio in one extended shot, without any edits. The time and motion tomfoolery is surely handled; someone has had the bright idea of putting developing Polaroid photos at the bottom of the frame, in order to show that the whole video is unravelling in one continuous scene. Directed by Mark Hartley, Home Again was judged Best Video at the 1998 New Zealand Music Awards.
Goodshirt's attention-grabbing promos were typified by high concepts rendered with low-budget No 8 wire smarts — often with game participation from the band members. This mind-bending creation by director (and ex-Supergroover) Joe Lonie is no exception: a Mazda 929 (or an Austin 1300, if you watch the video's other version) is re-deconstructed, before leaving in a cloud of smoke, loaded with frog men. Lead singer Rodney Fisher gives the standout performance. He had to sing every lyric backwards to achieve the desired time-warping end result.
Shot on Wellington's South Coast, the video stars Academy Award-nominee Taika Waititi (who also directs) as a turquoise headband wearing jogger attempting an eclectic confidence course. Shot in one ducks-in-a-row long take, our hero slays knights, frees prisoners and crosses the finish line into the arms of his lover. And a horse. A splendid example of she'll-be-rightism, the clip is refreshingly lo-fi, makeshift and delightful — and undoubtedly took a lot more than four minutes and 15 seconds to make.
'Touchdown' was drawn from the second (and final) Stereo Bus album Brand New (1999). The stylishly minimalist video, directed by Alex Sutherland and Michael Lonsdale, appears to be a continuous shot, circling around band members and objects in a white studio set. Biffed chairs and bottles, and singer David Yetton, get up close to the lens while guitarist Jason Fa'afoi (who was co-hosting What Now? at the time) also makes multiple appearances. The slow pan matches the tempo of the band’s textured guitar pop; the promo won Best Music Video at the 2001 NZ Music Awards.
How long does it take to remove all the furniture and fittings from an apartment? If you’ve got band Goodshirt on the case, apparently three minutes and 45 seconds. One of a series of Goodshirt music videos directed by Joe Lonie, all of them filmed in one continuous take, this clip highlights the dangers of having the volume up too loud. As a young woman listens to Goodshirt’s latest single, she is unaware she is being robbed her of everything she owns. Sophie took away three gongs at the 2003 NZ Music Awards: Best Video , Best Single and Songwriter of the Year.
For this 2017 feature film, eight Māori women each directed a 10 minute segment of events circling around the tangi of a boy named Waru. Each director had a day and a single shot to capture their take on the context behind a tragedy. After its debut at the 2017 NZ International Film Festival, Waru won a rush of social media attention, and screened at the Toronto and ImagineNATIVE festivals. The Hollywood Reporter praised it for bringing "a sense of dramatic, urgent realism to a story that plays out like a suspenseful mystery". Waru was produced by Kerry Warkia and Kiel McNaughton.
A lone boy in the wilderness and a mysterious airborne menace feature in this evocative, NZ Music Award-winning video for Avalanche City (aka musician Dave Baxter). Discovering a stag who’s fallen victim to the abstraction from the sky, the boy takes it upon himself to fight back, before it can inflict more damage on the forest’s residents. Despite the song being a last minute inclusion on Avalanche City’s second album We Are for the Wild Places, it later became the only Kiwi song to hit number one in 2015. An earlier video for the song was shot in one extended take on Raglan beach.
‘Message to My Girl’ finds Split Enz in a time of transition — foreshadowed here when the Finn brothers walk past each other in opposite directions. Tim has just completed his solo album and will shortly leave, while Neil is coming into his own as the band’s new leader. The track is an unabashed love song to his wife. The accompanying video was shot in two extended takes, with the only edit obscured halfway through — and staged in what looks like a theatre set storage area. New drummer Paul Hester makes his debut but no Noel Crombie suits this time, just civvies.
Inspired by an Australian musician who was drafted to fight in the Vietnam War, this song was first recorded by Aussie singer Ronnie Burns before Kiwi Craig Scott turned it into one of his biggest hits. Released in June 1971, Scott's version would go on to win the Loxene Golden Disc Award. These extended takes of Scott in action were likely cut together with footage taken from other angles — footage which is now missing in action. Thanks partly to regular appearances on music show Happen Inn, photos of Scott and his hair adorned bedrooms across the country in the early 1970s.
Long before he became the stuff of nostalgia and t-shirts, Count Homogenized debuted on this pilot episode of A Haunting We Will Go. Made in 1977 but unscreened till 1979, this pilot follows Major Tooms and his long-suffering butler as they take the audience on an extended tour of their haunted house. In the second half, scene-stealing Homogenized (Russell Smith) appears, a vampire whose raison d'etre - an endless quest for milk - proves as ridiculous as it is delightful.