Director, Producer, Camera
Globetrotting director Dean Cornish's credit reel ranges from Intrepid Journeys to bold buildings, Extreme Tribes to Rachel Hunter, sex trafficking to This Town. Trained at Christchurch's NZ Broadcasting School, Cornish has produced films in more than 90 countries and crafted a reputation as a go-to guy for travel stories. He shared a Best Director gong at the 2011 Aotearoa Film and TV Awards for Making Tracks.
I don't think of things that way. Dean Cornish, when asked his worst travel experience, The Sunday Star Times, 13 May 2007
As this promotional clip makes clear, Funny As features an impressive roll call of Kiwi comedy legends. The five-part series traces the history of New Zealand comedy through interviews and archive footage. In coming weeks NZ On Screen will be publishing extended interviews with the comedy talent captured on camera for the series. Funny As ranges all the way from the early days of live comedy to screen pioneers (Fred Dagg, the Week of It team), the legendary Billy T, and the Kiwi comedians who've made their mark internationally (Flight of the Conchords, Rhys Darby).
Housing and property are New Zealand obsessions, as reflected on-screen in shows from The Elegant Shed to The Block. Hosted by Peter Elliott (Captain’s Log, Explorers), 2014 series The Art of the Architect highlights the role of the architect in each build. Eight one-hour long episodes follow architects as they respond to the challenges of sites, budgets, client demands, and the New Zealand environment. The designs range from private homes to community projects. Building delays led to the TVNZ series taking over four years to film.
This 2014 series looks at the role of architects on Kiwi building projects, as they respond to the challenges of budget, environment, site and client expectations. In this last episode of the series, host Peter Elliott asks if "architectural design can be financially achievable". He meets company Herbst Architects, and talks space, emotion and design for a steep Waiheke Island section, and a modular bach. Two fathers share the build of a John Irving-designed beach house; and a Point Chevalier house designed by A Studio aims for zero energy. Plus Elliott recaps the series' grand designs.
This 16 episode, 30 minute series from Jam TV (This Town, Intrepid Journeys) gave “courageous, honest, heroic and inspirational Kiwis a chance to tell their tale.” Subjects ranged from broadcaster Mark Staufer to Christchurch Student Volunteer Army founder Sam Johnson, Gisborne mayor Meng Foon, and Northland doctor Lance O’Sullivan. The first episode explored irrepressible former C4 presenter Helena McAlpine’s experiences with terminal breast cancer. Listener critic Diana Wichtel praised the TVNZ show as “an increasingly vital corrective to the rest of prime time".
Acclaimed TV series This Town travelled all over Aotearoa to meet the characters that make up Kiwi communities. The show dispensed with presenters or voiceovers, in favour of allowing "people to open up to us and tell us their stories" (as producer Melanie Rakena put it). Made by Jam TV, This Town screened in a Saturday 7.30pm slot on TV One. A second season followed in 2015. In The NZ Herald, Duncan Greive said of the second series: "it feels like some of the most authentic New Zealand television of the year, stories told with as minimal a mediation as possible."
Electronic soul band Shapeshifter is one of the NZ acts whose songs were covered by international artists in Nick Dwyer’s Making Tracks TV series. Dwyer takes that relationship a step further with this infectious music video for one of the singles from their fourth album Delta. He accompanies their lyrics, about putting aside the pressures and problems of everyday life, with a series of vibrant images from around the world. Gathered during his globetrotting, they celebrate human connection and the simple pleasures afforded by music (and a NZ 1990 t-shirt).
This Intrepid Journey sees comedian Rhys Darby taking a Rwandan OE. In the excerpts Darby makes lots of friends in the markets of capital city Kigali, then heads on a jungle adventure. Far from the New York office of his Flight of the Conchords character Murray, he searches for critically endangered mountain gorillas. Darby is guided by François — a personable and entertaining park ranger, fluent in primate dialect — whose aping gives Darby a run for his money in gorilla impersonation. Darby is quietened by a sombre genocide memorial, and a 200 kilogram silverback.
Veteran broadcaster Paul Holmes brings his trademark stream of introspection and acerbic wit to the ancient cultures of Yemen in the Middle East. Holmes gets a lot of mileage from the country’s many curiosities: soldiers on patrol holding hands; the high volume manner of daily conversation and the ubiquitous Khat, a chewing plant known for its amphetamine-like effects. This excerpt sees him changing into an outfit that has more in common with the locals, and suddenly feeling much more welcome than before.
Weekly media commentary show Media Take focussed on the week's news and new media developments. Frontman Russell Brown and a team of panellists analysed how certain issues were presented. In front of a live studio audience they covered traditional outlets (TV, radio and newspapers) and also looked at the internet, advertising, PR and new technology. The show began life as Media7 on digital channel TVNZ 7; it shifted networks to TV3 after TVNZ-7's 2012 shut down, and was reborn on Māori Television in 2014 for four seasons as Media Take.
Comedian Te Radar is a natural for Intrepid Journeys - his own TV sojourns have already taken him to Palestine and East Timor. In this episode Radar travels through the landlocked African nation of Mali, much of which lies in the Sahara. On his way to the legendary city of Timbuktu he visits a festival in the desert, has a close encounter with a baby scorpion and grooves to the local drumming. Along the way, cameraman Bevan Crothers captures eye-opening imagery of brightly clothed locals and a lime-clad Te Radar, against sunlicked desert sands.
Media satirist Jeremy Wells travels through Libya and coments on what he sees with his trademark impassive delivery. He dresses in traditional male garb, takes in Tripoli's ancient medina, dines in traditional Berber settlements, and journeys through the Jebel Nafusa highlands. On the way Wells rides an angry camel, complains about the lack of women, holds hands with a man, and recounts Colonel Gaddafi trivia, musing with deadpan gormlessness, "he must be nice because nobody seems to have a bad word to say about him."
Anton Oliver, the thinking person's All Black, travels to Nepal to experience the Annapurna Sanctury and walk the famous Annapurna Circuit. Oliver is the ideal candidate for a journey that requires fitness of body and soul. In this particularly intrepid journey, Oliver's experiences range from poverty and pollution to the heights of ancient Himalayan trekking routes. Oliver hooks [sic] the viewer into the places he visits with insightful and entertaining meditations on the unique culture and environment.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
After floods swept through the Bay of Plenty town of Matatā in May 2005, musician Dave Dobbyn decided to drop by and see how the locals were doing. One Night in Matata is built around a free concert which Dobbyn and his band performed during the visit. Also included are conversations with townspeople, about the day heavy rains caused torrents of water and debris to sweep through Matatā. Dobbyn remains upbeat, praising the locals for their kindness and community spirit. Later some of the local children join him on stage for 'Slice of Heaven'.
In this satire series presenter Jeremy Wells — channelling Kenneth B Cumberland (of Landmarks fame) — examines NZ history in a mock-revisionist manner, poking fun at the pretence of the past. From the makers of Eating Media Lunch, the show is self-described as “the most important series in the history of history”. Each episode tackles the big issues, including ‘Crime’, ‘Visitors’, ‘Trouble’ and ‘Evil’. The show draws its material mostly from television archive basements, with the odd piece of fakery and animation thrown in. Michael King this defiantly ain't!
This 'alternative' version of New Zealand history was made by the team behind Eating Media Lunch. Channelling Kenneth Cumberland —presenter of heavyweight 80s series Landmarks— Jeremy Wells plumbs the TV archives to poke fun at New Zealand, and its people. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and mirth is mined from all things ovine.
Musician, DJ and accomplished sailor Andrew Fagan heads to Indonesia with guitar in hand — plus some miniature sail boats. The trip includes an active volcano, a dodgy riverboat, the peaceful vibe of an Islamic festival, and some catchy Fagan tunes. The result is a standout episode, thanks partly to an enthusiastic and straight-talking host: a man who makes the most of each moment, without turning his head away from the realities of poverty, or the after-effects of terrorist bombing. Warning: animal lovers may want to avoid certain scenes.
In this full-length episode, Lisa Chappell travels to Malaysia at the edge of South East Asia, and starts to wonder if she might be an inside-at-home, rather than intrepid, traveller. The geographically-impaired, self-confessed snake-phobic actor journeys into one of the world's oldest rain-forests, meets the nomadic Orang Asli people and enjoys a walk, 45 metres above the forest-floor. Things go downhill when she injures her back on a boat trip and tries to finish the trip early, before rediscovering the travel bug, shortly before flying out of Kuala Lumpur.
In this full-length episode of Intrepid Journeys, Dave Dobbyn arrives in the Kingdom of Morocco, and finds himself bowled over by the sites, sounds, the sense of living history, the friendly people — and the sugar-heavy local tea. Uplifted to heights both spiritual and comedic, he wanders the world's largest medieval city, in Fez; visits Hassan ll Mosque in Casablanca, one of the world's largest, and finds himself donning a British accent as he starts a camel trek in the Sahara. From Casablanca to Marrakesh, the journey offers Dobbyn a sense of delight and creative renewal.
While Rawiri Paratene was directing TV's Korero Mai, conversation turned to Intrepid Journeys, and he mentioned offhandedly that he'd love to be a presenter. At the end of the day Paratene got an urgent message to call his agent: the Intrepid producers wanted him to guide an episode. Weeks later he found himself in Nicaragua, engaging with the people, places and troubled history of the country. But as this excerpt shows, it is the children who will live on in his memory. Paratene proves himself a generous host, revealing something of himself as much as Nicaragua.
Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of Kiwi history, which was made by many of the team that worked on Eating Media Lunch. The Unauthorised History plumbs TV and history archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and in other places) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" — colonial-era Russell — to randy Hutt Valley teenagers "getting laid" in the 1950s.
Broadcaster Karyn Hay makes a "life enhancing" journey to 'Timor-Leste', not long after the withdrawal of UN Peacekeepers. Hay reads up on its war-riddled past and encounters mozzies and leaky boats, eats buffalo and snow-peas, and learns about the widows and guerilla fighters who resisted Indonesian occupation. She is transported beyond the troubles to wonder at ancient cave paintings, bathe in turquoise waters, and reflect on charming children and the hope that eco-tourism will offer a better life for a nation she senses is still "in shock".
Long-running travel series Intrepid Journeys took Kiwi celebrities (from All Blacks to music legends to ex-Prime Ministers) from the comfort of home to less-travelled paths in varied countries and cultures. The Jam TV series debuted in 2003 on TV One. With its authenticity and fresh, genre-changing take on a travel show (focusing on personal experience rather than objectivity), Intrepid Journeys was a landmark in local factual television. It managed to achieve the rare mix of high ratings and critical acclaim.
Since 1988 the Smokefreerockquest's nationwide talent competition has been a rite of passage for school-age musicians, offering substantial cash prizes and the promise of a shortcut to global (or at least local) fame. In this TV special Hugh Sundae meets the class of 2000, including Nesian Mystik, Evermore (then the youngest band ever to compete at the finals) and future members of Die! Die! Die! in Dunedin art-rockers Carriage H. True to the period, there's also plenty of squeaky nu-metal riffs and liberally-applied Dax Wax.
What Now? is a long-running entertainment show for primary school-aged children. Filmed before a live studio audience on weekend mornings, What Now? is a New Zealand TV institution; it was the first TV show to have live phone-ins. The series is known for its challenges that sometimes result in participants being 'gunged'. A roll-call of presenters includes Steve Parr, Danny Watson, Simon Barnett, Jason Gunn, Michelle A'Court, Tamati Coffey, Antonia Prebble, and more. 'Get out of your Lazy Bed' by Matt Bianco is the theme song memorable to generations of Kiwi kids.