To celebrate NZ's unique natural taonga, Peter Hayden has curated a highlights collection from three decades of NHNZ productions. Aotearoa's landforms and its magnificent menagerie of natural oddities - birds, insects, trees like nowhere else on the planet - are showcased in 15 award-winning titles. From Discovery Channel and David Bellamy, to Wild South and Our World classics.
In November 1948 New Zealand got its own Lost World story, when a population of takahē — a large flightless rail, long thought extinct — was found in a remote part of Fiordland. The rediscovery of ‘notornis’ (a cousin of the pūkeko), by Southland doctor Geoffrey Orbell, generated international interest. This episode of the NFU’s Weekly Review newsreel series treks from Lake Te Anau high into the Murchison Mountains, where the team (including naturalist Robert Falla) find sea shell fossils, evidence of moa-hunter campsites, and the dodo-like takahē itself.
This final installment of Hayden’s traverse across latitude 45 finds him in the ice-sculpted isolation of Fiordland. In this episode he travels through diverse flora (lush and verdant thanks to astonishingly high rainfall); and with botanist Dr Brian Molloy follows the footsteps of early bird conservationist Richard Henry. Mohua (yellowhead), takahe, weka and tiny rock wrens feature in the fauna camp. Reaching the sea, the underworld depths of George Sound house a world teeming with abundant life.
The giant, flightless moa, could stretch up to three metres tall and weighed up to 275kg. This documentary tells the story of the "mighty moa". It covers the bird's 19th Century rediscovery by English naturalist Richard Owen who surmised that the moa existed from bone evidence (leading to ‘moa mania' bone-trade); through ignition of hope that moa may still be alive when takahe (thought as dead as the dodo) were discovered in Fiordland in 1949; to digging up bird skeletons and remains of moa hunter culture in South Island swamps.
This full-length documentary looks at the grim reality of our fast-disappearing national symbol, and the efforts of people passionate about saving it. Remarkable facts about the evolutionary oddity are framed by the point that “the nation which laments that the moa was wiped out is committing the same crime against the kiwi”. The film raises the unsettling question: do we want the stoat or kiwi as our national icon? It also makes a compelling call to action to save a unique taonga, which could be extinct from the mainland in 20 years.
Craig Busch aka The Lion Man is a self taught big cat handler who has brought Barbary lions and white Bengal tigers to NZ. With both species extinct in the wild, Busch launched a breeding programme to add to limited numbers remaining in captivity. Great Southern Television produced three series following the often controversial Busch and his giant feline charges from the early days of his Zion Wildlife Gardens park near Whangarei (now relaunched as The Kingdom of Zion). An international sales success, the show has played in more than 120 countries.
This award-winning NFU short focuses on the tuatara, the sole survivor of a reptile species extinct for 135 million years. An NZ Wildlife Service (now DoC) team search for the nocturnal reptiles on Stephens Island sanctuary (aka Takapourewa) as they hunt for insects. Voiceover is eschewed in favour of natural sound and composer Jack Body’s evocative soundtrack.The tuatara are weighed and measured; they can grow up to 80 centimetres, weigh over a kilogram and live 150 years. There were about 100,000 tuatara on Stephens Island when the documentary was made in 1981.
Maurice Gee's classic novel about aliens running amok under Auckland has rarely gone out of print, since its debut in 1979. First adapted as a memorable 80s TV series, this movie retooling sees teenage twins Theo and Rachel stumbling across shape-shifting creatures that are hiding beneath Auckland's extinct volcanoes. American showbiz magazine Variety praised Black Sheep director Jonathan King's "solid helming", and the excellent acting of Sam Neill as the mysterious Mr Jones. Oliver Driver plays lead villain Mr Wilberforce, under four hours of make-up.
Episode four, series four of this Māori artists’ profile series, tracks eminent photographer Fiona Pardington. In this extract Pardington works with her brother Neil, and discusses her life path: her Māori roots, wanting to be a photographer at age six, art school, and the hard road to making a living as an artist. Describing her medium as one of mood and depth, her search is for a balance of knowledge and wairua. Includes images of her stunning interpretations of cultural taonga, such as specimens of esteemed (and extinct) huia birds, and carved pounamu.
Mike King presents the story of Gustavus Von Tempsky: swashbuckling colonial soldier of fortune, "flamboyant folk hero" and "our first pin up boy". The Prussian-born artist, self-promoter, romantic and adventurer, led an elite unit - the Forest Rangers - in the 1860s New Zealand Wars, garbed in trademark Garibaldi shirt, kilt and calvary sabre. His bush-fighting skill attracted respect from Māori foes, who named him "manu rau" (many birds); but also controversy after an infamous raid. He met his demise fighting guerilla leader Titokowaru.