This 1982 Lookout documentary charts Samoan novelist and poet Albert Wendt’s personal view of Samoans in Auckland. Set mainly in what was then predominantly Samoan Grey Lynn, Wendt looks at how New Zealand-born Samoans maintain the traditions of their homeland. He also examines the close ties between those in New Zealand and the wider ainga, or extended family, back home. The church’s role in the community is highlighted, along with sports. Wendt also addresses what he sees as the double edged sword of remittance: sending money back to islands.
NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
This episode of Immigrant Nation features former Holidaymakers guitarist Pati 'Albert' Umaga, part of the first generation of New Zealand-born Samoans. Umaga's parents arrived in Wellington in 1950 as part of Samoa's Great Migration. Encouraged to speak Samoan at home, and English outside the house, Umaga drifted away from his family and culture, before finally coming to the realisation that Fa-a Samoan - The Samoan Way - has much to offer him in how he operates in Kiwi society. Umaga goes on to use his music as a way to reach Samoan youth.
This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other."
In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
Tusi Tamasese’s first feature tells the story of a taro farmer (played by real life farmer Fa’afiaula Sagote) who finds the courage to stand tall for his family and culture, and stand up to sceptical villagers. Variety called it “compelling drama”. Though previous films (e.g. Flying Fox on a Freedom Tree) had told stories inspired by Samoan writers, The Orator was the first feature written and directed by a Samoan — and the first filmed in Samoan. When it debuted in September 2011 at the prestigious Venice Film Festival, it won a special jury mention in the Orizzonti (New Horizons) section.
When Robert meets his Samoan grandfather ('Granda') for the first time, things are awkward. He can't say Robert's name properly, and makes "rude" noises when he eats. Director Marina Alofagia McCartney's first short film is a gentle tale about reaching out across generations and culture. It focusses on Robert (Kahukura Royal) as his first impression thaws, and affection grows. In 2010 Granda was named audience favourite at Pollywood, a Kiwi festival for Pasifika Films. McCartney's follow-up Milk & Honey was nominated for Best Short at the 2012 NZ International Film Festival.
Actor Robbie Magasiva and discus champ Beatrice Faumuina oversee this hour-long Tagata Pasifika 20th birthday celebration. Presenters past and present survey changes in the Aotearoa PI community over the show’s run: from education, arts and culture (Ardijah, OMC, Michel Tuffery’s corned beef bulls and the Naked Samoans), to political pioneers (Mark Gosche, Winnie Laban), and sports heroes (All Black icons Jones, Lomu and Umaga). Among those talking about the show’s importance to NZ Pasifika culture are Helen Clark, Annie Crummer and many others.
Take Home Pay marks the third self-funded feature for writer/director SQS. Three Wise Cousins and Hibiscus and Ruthless both proved popular with audiences and critics. This 'action comedy' focusses on Samoan brothers Popo (Ronnie Taulafo) and Alama (Vito Vito) who ditch the taro fields of home for the promise of big money, picking kiwifruit in Aotearoa. When Popo steals their wages and goes AWOL, Alama calls on his relative, unorthodox private investigator Bob Titilo (ex Laughing Samoan Tofiga Fepulea'i) to help track his brother down. Magnum P.I. he ain't.
"Samoa mo Samoa!" — King Kapisi blends his Samoan roots with hip hop culture in this video shot on Samoa's ring roads. The hip hop music video standby of the drive-by gets revised Pasifika-style, and the fire poi, papase'ea sliding rocks, lavalava, coconuts, and colourful Apia buses make this clip staunchly fa'a Samoa.