Invited to compete in short film contest Tropfest NZ in 2015, Foreign Fields trains its eye on a Kiwi soldier in World War I, after he is wounded in no man's land. Shot in moody mud and khaki tones, David Gunson's film is a tribute to all who have fought in foreign lands. The self-funded short — which comes with a twist in the tail — was filmed for $3000, in just one and a half days.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
Ten years on from the tumultuous 1984 General Election, this award-winning TVNZ current affairs doco examines the financial and constitutional crisis that resulted from Robert Muldoon’s initial refusal to yield power. Reporter Richard Harman, who conducted pivotal interviews at the time, talks to key players to piece together the events of five remarkable days. They also saw the opening salvoes between David Lange and US Secretary of State George Shultz over nuclear ship visits, and foreshadowed Roger Douglas’ controversial remaking of the NZ economy.
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
Christchurch-born Jessie Scott was a rarity in 1914: a qualified doctor in a male dominated profession. But as this Great War Story shows, her bravery overcame even greater hurdles. Joining the Scottish Women’s Hospitals for Foreign Service, Dr Scott treated Serbian and British wounded in the Balkan war against Austria. Left behind during a retreat, she was captured but later released. That didn’t end her war. She went back to the front line, this time serving with Russian forces in Romania. Dr Scott's efforts earned her the Serbian Order of St Sava.
This is the first of a two-part "money and greed" morality tale set in a Rogernomics-era 'New Auckland' of property deals and horse racing. Working class lass Tammy (Annie Whittle) and art consultant Joanna (Miranda Harcourt, fresh from Gloss) are an unlikely duo who inherit a racehorse and a greasy spoon cafe (instant coffee rather than cappuccino). Brit import James Faulkner plays a shady developer whose scheme is blocked by the duo. Murder, underhand unitary plans, yuppie love and old gambling debts complicate life for Tammy and Joanna.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
The Colombo Plan was a Commonwealth “federation of neighbours” which aimed to counter communism in Asia by providing development aid in the area's poorer countries. This National Film Unit short, directed by future NFU manager David H Fowler, ranges across Asia as it surveys New Zealand’s contributions to the postwar plan: funding hospitals, agriculture and education in Indonesia, Malaya, Sarawak, North Borneo, Pakistan and India. The film also visits Colombo students in their home countries, passing on skills that they learned while studying at NZ universities.
Howard Morrison visits France for the first time in this two-part Kiwi production, made to mark the bicentenary of Bastille Day. His tour of French culture begins on the Champs-Élysées on the big day itself, then ranges from Napoleon to Notre Dame, with visits to the Musée de l’Homme to see taonga, plus crepe-flipping and Parisian cabaret (where he belts out a song onstage). When the Māori leaves Metro range, it’s fishing in Neuvic and ‘Pokarekare Ana’ accompanied by accordion. In Corrèze he meets another Kiwi, and uses a minitel (an early version of the world wide web).