The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Peter Wells and Stewart Main’s acclaimed drama screened in primetime and was ground-breaking in featuring AIDS. Wells' script is based on the death of one of his friends — one of the first New Zealanders to die from the disease — but the living are the focus, as Wells creates an intimate “strange and foreign land” occupied by those close to someone who is dying. Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality. The excerpt features the opening 10 minutes.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
Double Booking was a one-off comedy about a bloke, Brett (Kevin Smith), reluctantly celebrating his stag night, and a woman, Jane (Theresa Healey) who is less than happy at her hen's party. When the titular double booking happens their paths collide. Brett and Jane are star-struck at the Ocean Moon restaurant; wedding days are threatened and much ado occurs. The cast is a virtual Gloss reunion. Double Booking was made as part of a series of comedy pilots for TVNZ. A series didn't ensue, but it won James Griffin a Best Comedy Script gong at the 1999 NZ Film and TV Awards.
Alun Bollinger, MNZM, has been crafting the slanting southern light onto film and other formats, for almost 40 years. He is arguably New Zealand's premier cinematographer; images framed by Bollinger's camera include some of the most indelible memories to come from iconic films like Goodbye Pork Pie, Vigil and Heavenly Creatures.