Actor Grant Tilly, who died in April 2012, displayed his gifts for understated comedy in movies Middle Age Spread and Carry Me Back. The versatile Tilly had done it all — from acclaimed theatre performances (often in Roger Hall plays) to screen roles that took in everything from adventure movies and landmark historical dramas (The Governor), to children's TV, sitcoms (Gliding On), and many voice-overs.
With his expertise, the film cannot fail. Variety critic Mike Nicolaidi, reviewing Middle Age Spread, 31 December 1978
Christmas Eve 1953: Cricketer Bob Blair (Ryan O'Kane) is in South Africa, days away from batting for New Zealand. His fiancée Nerissa Love (Maddigan's Quest's Rose McIver) is boarding an ill-fated train, which in this excerpt will plunge into the Whangaehu River at Tangiwai, in the country's worst rail disaster. The Dominion Post's Linda Burgess found this TV movie retelling of the tragic romance "first-rate", noting "consistently excellent" performances from O'Kane, McIver, and Miranda Harcourt as Nerissa's wary mother. Tangiwai won four NZ TV awards, including best cinematography.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
In this sensitive short film written and directed by James Blick, a young boy (Ted Holmstead-Scott) breaks into an old man’s house in search of dirty magazines. The intrusion is just one more trial for the man (Grant Tilly), as he copes with loss and loneliness by clinging on to keepsakes and memories. He is eager for even a small measure of human contact — and the chance to do one last thing for his wife. For the boy there is an inkling of a world beyond his friend’s narrow experiences. The film was shot by Blick's father, cinematographer John Blick.
This 2006 documentary is a portrait of one of New Zealand politics' most contradictory figures: unionist Ken Douglas. At the time of filming Douglas occupied numerous board positions (eg Air New Zealand, the NZ Rugby Football Union), but early on he was a truckie and Marxist. Rob Muldoon branded him 'Red Ken'. For 15 years until 1999 he led the Council of Trade Unions. Directed by Monique Oomen for Top Shelf Productions, the film is framed around interviews with Douglas and his colleagues, and asks whether he is a turncoat or a strategic realist moving with the times.
Who Laughs Last profiles Roger Hall, New Zealand’s most successful playwright. Three decades after the opening of Hall's Middle Age Spread became a hit, the original cast return for 2006 follow up Spreading Out. The Shirley Horrocks doco explores the secrets behind Hall’s successful brand of comedy (25+ stage plays, plus TV series and musical comedies) and closely explores the popularity of Middle Age Spread and Spreading Out. Among those interviewed are John Clarke, Ginette McDonald, the late Grant Tilly, and Hall himself.
Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
Tele-movie Clare is based on Clare Matheson's autobiographical book Fate Cries Enough. It recreates the experiences of the author (played here by Robyn Malcolm, then fresh from Shortland Street) who for 15 years was an unwitting part of a disastrous gynaecological study at Auckland's National Women's Hospital. The study would later become known as ‘The Unfortunate Experiment', after a Metro article by Sandra Coney and Phillida Bunkle. It was also the subject of a Commission of Inquiry, whose official report led to major changes in law around health consumers' rights.
This award-winning documentary is an account of the last days and sinking of Russian cruise liner Mikhail Lermontov. On 16 February, 1986, she ran aground on rocks in the Marlborough Sounds. Passengers were successfully evacuated, but a Russian crew member lost his life, and several were injured. Evidence is given by those who were there, with a particular emphasis on presenting the stories of the Russian crew, who were largely unavailable to the media at the time. A minute into clip nine, one young Russian agent bears a striking similarity to Russian president Vladimir Putin.
The Lorenz family have been making wine in southern Germany for 300 years. This documentary centres on winemaker Almuth Lorenz, who in 1982 left the family estate in Germany's Rheinhessen wine region to start a new life in Marlborough. Grapes had been grown in Rheinhessen for centuries; but in Marlborough, there is more chance to experiment. As this episode reveals, German settlers have been arriving in Marlborough since the 1840s. We also meet other more recent German immigrants: a young family, and a man attracted to the freedom and beauty of Golden Bay.
In this children's fantasy drama, the everyday trials of teenager Jo Tiegan — school, an archaeological dig — are soon forgotten as a mysterious antique mirror sends her back in time to her house in 1919. There, Jo (Australian actor Petra Yared) encounters 14 year-old Louisa Airdale (Michala Banas). In the time honoured tradition of time travel tales, Jo's excursion threatens alarming present day consequences. The award-winning trans-Tasman co-production was created by Australian Posie Graeme-Evans (who devised TV shows Hi-5 and McLeod's Daughters).
Written by Tom Scott and Greg McGee, South Pacific Pictures-produced Fallout was an award-winning two-part mini-series dramatising events leading up to NZ’s 80s anti-nuclear stand. PM Robert Muldoon (Ian Mune) calls a snap election when his MP Marilyn Waring crosses the floor on the ‘no nukes’ bill, but his gamble fails, and David Lange's Labour Party is elected. Lange (played by Australian actor Mark Mitchell) is pressured from all sides (including a bullish US administration) to take a firm stance on his anti-nuclear platform. He finally accepts there is no middle ground.
Alex is a champion teenage swimmer determined to win selection to the 1960 Rome Olympics, in this adaptation of the award-winning young adults novel. Written by ex Empire Games swimming medallist Tessa Duder, Alex was the first in a quartet of books exploring the vicissitudes of the high achiever freestyler as she deals with rivalry, ambition, first love and the pressures of growing up. Lauren Jackson, who played the title role, later appeared in vampire movie Perfect Creature. The film was a co-production between New Zealand and Australia.
TV One drama Shark in the Park followed the lives of cops policing a Wellington city beat. This episode from the second series sees the team bust a street fight, and search for a missing teenage girl. An elderly shoplifter and a joyrider test the ethics of the diversion scheme, where minor offences don't result in a criminal record. Actors Tim Balme and Michael Galvin (Shortland Street) feature in early screen roles, as youngsters on the wrong side of the law. Galvin plays the dangerous driver – he also happens to be the son of Sergeant Jesson (Kevin J Wilson).
Shark in the Park was New Zealand’s first urban cop show. In this second season opener, Inspector Flynn (Jeffrey Thomas) and his team face restructuring and cutbacks from HQ, and a gang prospect (Toby Mills) is interrogated about a hit and run. Among the impressive cast of cops are Rima Te Wiata, Nathaniel Lees, and Russell Smith (It is I, Count Homogenized). This was the first episode made by Wellington company The Gibson Group, as Kiwi television entered an era of deregulation (Shark's previous series was one of the last made by TVNZ’s in-house drama department).
Erua tells the story of an intriguing friendship between artist Toss Woollaston (Grant Tilly) and a young Māori boy Erua (Turei Reedy) who modelled for him each Wednesday evening in Greymouth, in the early 60s. Woollaston had seen the boy playing "like one dark bead shaken in a tray of pale ones". The image made him curious to find what Erua was like, and to try to draw "that". Tilly won a 1989 NZ Film and Television Award for his performance; he argued that it was "an awesome responsibility" to play someone who was still alive. Erua also won awards for Best Drama and Screenplay.
Director John Laing followed acclaimed romance Other Halves with an equally stylish but very different big city tale: a thriller in which three orphans plan an international heist to avenge the killing of one of their fathers. The expected diet of shootings, skulduggery and globetrotting accents is enlived by side trips to Geneva, songs from romantic interest Jennifer Ward-Lealand, and a cast of villains to die for (Peter Bland, Ian Mune, Anzac Wallace, Grant Tilly). When Dangerous Orphans was sold in Europe it set an early record for a New Zealand film.
Bob Stenhouse worked largely alone to visualise this luminously-animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). A shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter. In 1986 Frog was nominated for an Oscar for Best Animated Short; later an animation festival in Annecy, France judged it one of the best animated films made that century. A short 'making of' clip at the end offers hints of the hard work behind the film's distinctive look.
Musician Petunia (Jennifer Ludlam) and daughters Polly and Patch are tiring of their lives as land yachting "gypsies of the motorway" in the first episode of this hyperactive children's fantasy drama written by Margaret Mahy. Their salvation could be a magic house owned by Crocodile Crosby — a used car dealer with ambitions to be a pirate — but a devious land agent (Michael Wilson) and a dastardly wealthy couple stand in the way. All powerful narrator Paul Holmes orchestrates the action which features extensive use of music and period video special effects.
Petunia and her daughters Patch and Polly have moved into their decidedly unconventional dream house in the second episode of this surreal children's fantasy drama written by Margaret Mahy and directed by Yvonne McKay. Their idyllic new life of music making is soon shattered by their home handyman neighbour from hell Branchy (Grant Tilly). But he has problems of his own with the unwelcome arrival of his three long lost, grasping and perpetually hungry sons. Special guest Jon Gadsby contributes an energetic performance as pie magnate Chicken Licken.
Heavily influenced by the mid-80s MTV-led music video boom, this madcap six part kids fantasy series focuses on an aspiring songwriter and her daughters who renounce life on a land yacht to settle in a house with a mind of its own. Based on scripts by acclaimed author Margaret Mahy (in her first collaboration with director Yvonne Mackay), it utilises then cutting edge video special effects (requiring locked off shots and no camera movement). The soundtrack is by composer Jenny McLeod while Paul Holmes' narrator is omnipotent and petulant in equal parts.
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
This Loose Enz edition follows a theatre group developing a play about Greek Gods. The full gamut of am-dram tropes are featured: know-all director, a lecherous lead (Jeffrey Thomas), zealous extras, drunk techies, an existential playwright (Colin McColl), shambolic dress rehearsal etc. Estranged couple Tom (Grant Tilly) and Helen (Liddy Holloway) find the play’s lofty themes echoed in more earthly realities. With a who’s who of NZ luvvies of the era it’s not quite Carry On, but there are japes aplenty, the show must go on, and it’ll be all right on the night.
After hitting Wellington for a Ranfurly Shield game, two brothers from the sticks (Grant Tilly and Pork Pie's Kelly Johnson) have to sneak their abruptly deceased father back home. If the body isn’t buried there, they won’t inherit the family farm. Set back when "blokes were blokes and sheilas were their mums", director John Reid’s shaggy dog tale — a Weekend at Bernie's, reeking of stale beer and ciggies — both lauds and satirises the Kiwi male. Among the six clips, the final clip sees Tilly's character getting things off his chest, now that Dad is finally unable to answer back.
In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.
In an age before Rogernomics, and well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally made sitcom to become a bona-fide classic. The series was inspired by Roger Hall's hit play Glide Time and satirised a paper-pushing working life then-familiar to many Kiwis. Gliding On won several Feltex Awards including best male and female actors and best entertainment.
In an age before Rogernomics, well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally-made sitcom to become a bona-fide classic. Inspired by Roger Hall's hit play Glide Time, the award-winning series satirised a paper-pushing working life familiar to many Kiwis. This episode features Beryl's non-smoking campaign, Jim's efforts to kick the habit, office sexual innuendo and a much-debated fire drill. "Morning Jim!"
Australian producer Antony Ginnane brought this $6 million romp to New Zealand, after Aussie union Actors Equity objected to the four lead roles going to foreigners. Deer hunting heroes Donald Pleasance (Halloween) and Ken Wahl (six years before becoming TV's Wise Guy) race around in helicopters and jet boats, after discovering a half-sunken WWll plane. This opening excerpt indicates the film's mixture of action, comedy and Southern scenery. Zephyr helped establish Aotearoa's reputation as a place to film; Ginnane and Kiwi John Barnett produced further projects together.
TVNZ arts show Kaleidoscope visits the production of the 1980 feature film about “New Zealand’s greatest and most controversial murder” — the 1970 killings of Jeanette and Harvey Crewe at Pukekawa. As much a look at film making as the film itself, the documentary features extended visits to two locations. Interviewees include director John Laing, producer John Barnett and the recently freed Arthur Allan Thomas — who spent nine years in prison after being convicted of murdering the Crewes. Beyond Reasonable Doubt was based a book by David Yallop.
Beyond Reasonable Doubt reconstructs the events surrounding a notorious New Zealand miscarriage of justice. Farmer Arthur Allan Thomas was jailed for the murder of Harvey and Jeanette Crewe. Directed by John Laing, and starring Australian John Hargreaves (as Thomas) and Englishman David Hemmings (Blowup, Barbarella), the drama benefitted from immense public interest in the case. Thomas was pardoned while the film was in pre-production, and he saw some scenes being made. It became New Zealand's most successful film until Goodbye Pork Pie in 1981.
An early case of a Kiwi play being adapted for the screen, Middle Age Spread asks whether adultery is inevitable (and whether it can stay secret). Grant Tilly won acclaim as "an antipodian Woody Allen" for his philandering deputy headmaster fearing a future of stress and marital dissatisfaction. Roger Hall's hit comedy was adapted in the first flush of the Kiwi film renaissance. It marks the movie debut of many talents — including Tilly, director John Reid, writer Keith Aberdein, and cinematographer Alun Bollinger. Middle Age Spread was the first Kiwi feature to screen on the BBC.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
TV drama The Governor examined the life of Governor George Grey in six thematic parts. Grey's 'Good Governor' persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In first episode 'The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha. Writer Keith Aberdein goes behind the scenes here.
Directed by David Sims, A Train For Christmas follows the Kingston Flyer as it chugs through the farmland of Southland from Lumsden to Kingston, where on the shores of Lake Wakatipu it meets with the steamer TSS Earnslaw. With the driver as narrator, this poetic, and sometimes fantastical (the train talks at one point) celebration of steam transportation evokes a bygone era when the train “would stop at every crossing, hedge and house.” The steam train is cast as an integral part of a vast landscape and the communities that it travels through.
New Zealand’s economy is in serious trouble in the first episode of this award-winning drama series about The Great Depression. An ailing Prime Minister and a weak government seem powerless in the face of a downward spiral caused by rising unemployment and falling export prices. Meanwhile, the plight of a boot maker seeking work while people are being laid off all around him, and a jeweller struggling to keep his business afloat and food on his family’s table bring home the human cost and social divisiveness being caused by the worsening crisis.
This 1974 primer on proper phone manner marks one of the earliest films directed by Sam Neill. Actor turned scriptwriter John Banas plays a polite eccentric calling a company about his telepathic machine, only to face rude behaviour at every turn. Among those failing to bring the nice are two future Gliding On actors: a mullet-haired Ross Jolly, and Grant Tilly, who would rather be eating his sponge finger. Also known as Telephone Etiquette, the film was made by the National Film Unit for the Post Office, back when telephone services were still under its command.
The Great Depression — the biggest social upheaval ever faced by New Zealand — is the subject of this very well-received three part NZBC drama series. Based on an award-winning script by Michael Noonan, The Longest Winter focuses on the experiences of politicians, the middle class family of a jewellery shop owner, a boot maker and an unemployed workers’ group. It examines the inter-related forces that combined in the early 30s to plunge New Zealand into some of its darkest days — and left the nation and many of its citizens scarred for decades after.
This tale of body-snatching botanical aliens invading 70s Wellington shared the 1973 Feltex Award for Best Drama. Dominated by Davina Whitehouse’s performance as a retired teacher-turned ET foster parent, it included early TV roles for Paul Holmes, Grant Tilly and Susan Wilson. Vincent Ley’s script won a Ngaio Marsh teleplay contest, and its realisation stylishly traverses local summertime environs — Silence was one of the first NZBC dramas filmed in colour. Director David Stevens went on to success in Australia (writing Breaker Morant, and The Sum of Us).
After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
This National Film Unit film follows Nobel Prize-winning scientist Ernest Rutherford, from farm boy in the Marlborough Sounds to leading Cambridge University's legendary Cavendish Laboratory. Described by Einstein as "a second Newton", Rutherford was one of the founders of modern atomic physics. Director David Sims pays special attention to Rutherford's colonial upbringing and education, and how it encouraged him to experiment. The atom-splitter famously said of Kiwi ingenuity, "we don't have the money, so we have to think". Rutherford is voiced by actor Grant Tilly.
Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.
Made by the NFU for the NZ Water Safety Council this film enlists shock to provoke punters to consider water safety. On a summer’s day a fisherman, surfer and boatie all reckon it's “a great day for it”. But thoughtlessness results in tragedy. Directed by Hugh Macdonald (This is New Zealand), the disjunct between the jaunty song on the soundtrack and sunken bodies onscreen anticipates the graphic horror of the late 90s/early 00s road safety ads (sharing kinship with 1971 bush safety PSA Such a Stupid Way to Die). Grant Tilly cameos as a radio DJ.
In the one channel days of the early 1970s, the Survey slot was the place to find local documentaries. Topics ranged across the board, from social issues (alcoholism, runaway children) to the potentially humdrum (an AGM meeting) to the surprisingly experimental (music film The Unbelievable Glory of the Human Voice). After extended campaigning by producer John O’Shea, emerging independent filmmakers, including Tony Williams and Roger Donaldson, joined the party — bringing fresh creativity and new techniques to the traditional gentle, narration-heavy doco format.
This 1967 documentary offers a rare behind the scenes glimpse into the early days of Kiwi television, as a group of actors learn firsthand how the new medium differs from the stage. The actors' workshops were held in three cities as part of a push to create more local drama. After NZ Broadcasting Corporation producer Brian Bell introduces the actors to the camera, they try out some scenes. Five TV plays emerged, and two are seen getting made: The Tired Man, featuring Grant Tilly and Ray Henwood, and acclaimed Christchurch-shot drama Game for Five Players.