This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
It was the summer of 1970, six months after Woodstock; local media hyped this Phil Warren-promoted two-day music festival as New Zealand’s version. Despite promises of revolution, it was more low-key with 1500 music fans bussing out to the Swanson holiday park for — as MC Peter Sinclair introduced it — “36 hours of non stop top pops of New Zealand’s top bands”, from psych-rock to gospel. The big star was sometime Bee Gee Robin Gibb, whose high pitch was infamously welcomed with a thrown tomato. This footage was captured for TV by the NZ Broadcasting Corporation.
It’s Samoan Language Week and Tom Natoealofa says “Talofa!” to kick off Tagata Pasifika's Aotearoa award-nominated coverage of the 2011 Polynesian Blue Pacific Music Awards. Natoealofa co-hosts with Angela Tiatia, from the TelstraClear Pacific (now Vodafone) Events Centre in Manukau. The awards honour everything from gospel to urban. Nesian Mystik take out a trifecta including the big one, and Ladi 6 also wins. In the last clip Annie Crummer picks up a Lifetime Achievement gong, and the Ponsonby Methodist Church Choir perform her song ‘See What Love Can Do’.
In this episode of his US TV odyssey director Geoff Steven reaches the Deep South. In Memphis, jailer WC Watson introduces his gospel singing family and there are rapturous scenes as they perform at their Beale Street church. In New Orleans, a youth court judge and her lawyer husband attempt to balance jobs and social work with raising their own children. The flipside is provided by descendants of slave owners looking for ways to hold on to their mansions now that the plantations that once supported them have gone.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode — presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more. Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Murray Cammick, founder of music magazine Rip It Up.
An echoey guitar instrumental called ‘White Rabbit’ made Peter Posa a huge star in 60s New Zealand. This 2003 Sunday report offers a ‘whatever happened to?’ style report on Posa’s life and career. Presenter Cameron Bennett catches up with the once prolific Posa in Kamo, Whangarei, where he learns of guitarist’s struggles with depression and alcoholism, the devotion of his wife Margaret and their salvation through faith — and his journey to performing again. Nine years later, a 'best of’ release of Posa’s music would top the NZ album charts.
Every year around Christmas time, the Auckland Domain is lit up for a star-filled night of free Christmas celebrations. Hosted by Jay Laga’aia, this 2000 edition of the concert has “more than 300,000 people” gathered for an evening of songs, carols and fireworks. Kicking off with a Christmas rap from Anthony Ray Parker and kids, the celebrations go long into the night. Stepping up to the mic are everyone from Tina Cross, Frankie Stevens and Ainslie Allen, to the cast of Shortland Street and Mai Time. The evening is capped off with a fireworks display and the arrival of Santa Claus.
Canadian import Tami Neilson showcased her range with fourth album Dynamite!, colouring her country roots with lashings of rockabilly and gospel — plus this track, where she channels torch singer Peggy Lee doing a “sultry nightclub blues” (as the Herald's Graham Reid put it). The black and white video reflects the deliberately retro, minimalist vibe of the song, with Neilson grooving at front and centre while guitarist, bongo drummer and a trio of doo-wop vocalists chime in behind. 'Walk' won Tami and brother Joshua Neilson the 2014 Silver Scroll songwriting award.
John Clarke created an unofficial Kiwi national anthem when his alter ego Fred Dagg first released 'We Don’t Know How Lucky We Are' in 1975, simultaneously celebrating and poking fun at national pride. This video is a 1998 update of the song, instigated by TV's SportsCafe. Times change, but the recipe remains the same: "good clean ball and for God's sakes feed your backs!" Alongside a roll call of celebrities, politicians and sports stars — Sean Fitzpatrick, Chris Cairns, Zinzan Brooke — Clarke spreads the grateful gospel at the United Nations.